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This topic comprises 2 pages: 1 2
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Author
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Topic: Lettered Id's on heads & tails of Ocean's 13 prints
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Larry Blake
Film Handler
Posts: 8
From: New Orleans, LA, USA
Registered: Dec 2002
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posted 06-21-2007 04:59 PM
Hi Everyone:
I was the supervising sound editor/re-recording mixer of Ocean's Thirteen, and was responsible for the head- and tail leader that some of you commented on.
I'm happy that it had the intended effect, and am indeed embarrassed to admit that on some reels the "splice here" arrrow is, as was noted, NOT in the right place. As the saying goes, the path to hell is paved with good intentions.
FYI: the film was indeed on Vision Premiere stock, as noted, and was in Premiere in the U.K., France, and North America.
Also FYI: The mix is 5.1, not 7.1 as O11 and O12 were. In the pre-DCI days of digital cinema release, everything was custom-custom anyway, and we had two sets of files (5.1 and 7.1) made. But, in this relatively early stage of DCI-spec distribution, and first-generation servers, I thought it the better part of valor to push the five-screen-speaker envelope this time. But, to paraphrase Ahnold, I'll be back there at some point.
And, finallly, a thanks to all of you caring projectionists out there, especially those who do a format change on your cinema processors so that after the trailers play at 5.0, and my feature plays, as intended, at 7!
Best regards,
Larry Blake <email address removed per site policy>
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Larry Blake
Film Handler
Posts: 8
From: New Orleans, LA, USA
Registered: Dec 2002
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posted 06-22-2007 12:55 AM
Hi Steve:
Yes, I had a typo; it should have read "...was the better part of valor to *not* push the five-screen-channel envelope . . . ."
We spoke before I had done the final mix, but, in the end, my music and effects stems. printmasters (and thus all resulting prints and digital cinema playlists) are 5.1 only.
I should also note a personal wish that DCI servers incorporate some sort of downmix function (from five to three screen channels), much like SDDS processors did when you told them that you only had three screen speakers, and they would fold down the five-screen speaker mix (if there) to three.
Although I didn't like their ratio, which sent 75% of Lc and Rc to their respective sides, and 25% of them to the center. This would throw off pans or "literal" Lc or Rc placement. Sony's putative reason for doing this was to not pile up the center.
Just my 2 cents . . . .
Larry Blake
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This topic comprises 2 pages: 1 2
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