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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » A-chains and B-chains (Page 2)

 
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Author Topic: A-chains and B-chains
Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 09-23-2007 05:13 PM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
quote: John Hawkinson
No.
To restate what Gordon said:

There is an A chain for optical.
There is an A chain for mag.
You could even argue there is an A chain for digital sound alignment, though that terminology is not typically used.

That actually isn't too far off what I said; the A chain is the part where the various sources are handled separately (perhaps I should have said 'chains'), but the B chain is common to everything.

quote: John Hawkinson
I still don't understand why there's interest in trying to shoehorn so much stuff into these definitions. A chain typically refers to the optical sound setup, B chain to the EQ (and post), and if you try to fit other things into these definitions, you are likely to just confuse people you are talking to.

Probably true.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 09-24-2007 01:08 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote:
Where would one place the Digital Reader alingment!!? A or B Chain!!! ???

you're key word here is "alignment"- being optical magnetic, digital...as what Louis said before .. anything before the fader is "A" chain - any source before it hits the "target" preamp section.

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Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 09-24-2007 03:29 PM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
SMPTE 202M
quote:
A-chain (transducer system): That part of a motion-picture audio system...extending from the transducer to the input terminals of the main fader.

B-chain (final chain): That part of a motion-picture sound reproduction system...commencing at the input terminals of the main fader and terminating in the listening area...at which sound pressure measurements are taken.


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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 09-24-2007 05:38 PM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
Now I'm confused. I thought the EQ cards (or EQ section, in a digital processor) were part of the B-Chain, but I also thought said section was before the fader. Also, by common practice, isn't the optical tube part of the A-chain, and yet it is before the transducer? [Confused]

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 09-25-2007 10:04 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
In the olden days, the fader was post preamp and pre output amp. In the Dolby the fader has moved over to the point after the EQ, probably for noise reasons.

I would consider all "common to all formats" areas as the B chain in a processor. I would consider the A chain to be each individual format: Dolby optical; magnetic, Dolby Digital, etc. Louis

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Viktor Marosi
Film Handler

Posts: 1
From: Budapest / Hungary
Registered: Sep 2007


 - posted 10-26-2007 02:00 PM      Profile for Viktor Marosi   Email Viktor Marosi   Send New Private Message       Edit/Delete Post 
A chain:

CAT 240A
CAT 222 or CAT 350 Dolby® SR/A
CAT 150 2:4 Dolby® MP

B chain:

CAT 64 EQ
CAT 441 surround + LFE card (Ls, Rs, SW)
CAT 242
CAT 443
CAT 249, CAT 250

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