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Author Topic: Bollywood question
Sean McKinnon
Phenomenal Film Handler

Posts: 1712
From: Peabody Massachusetts
Registered: Sep 2000


 - posted 03-25-2008 06:18 AM      Profile for Sean McKinnon   Author's Homepage   Email Sean McKinnon   Send New Private Message       Edit/Delete Post 
Would using the small cores that trailers come on be better than nothing? Those are free and most theatres usually have tons of them on hand.

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 03-25-2008 08:06 AM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
While those are better than nothing... they break REALLY easily as anyone would know.

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 03-25-2008 08:21 AM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
Honestly, it's not clear they are much better than knocking out cores.

A really tight wind is not good for film (though it's not as bad for polyester as it is for acetate). Knocking out cores is a huge inconvenience for the next theatre, and probably encourages incidental damage in handling, but doesn't actually physically damage the film in of itself.

So which is worse, the potential damage from mishandling due to lack of cores, or the overtight winding from a 1" trailer sleeve?

I guess on the balance I'd guess the trailer sleeve would be least damaging overall, but I don't feel that with strong confidence [Frown]

--jhawk

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Paul Gordon
Jedi Master Film Handler

Posts: 580
From: Ottawa, Ontario, Canada
Registered: Aug 2005


 - posted 03-25-2008 11:02 AM      Profile for Paul Gordon   Author's Homepage   Email Paul Gordon   Send New Private Message       Edit/Delete Post 
If anyone wants cores I'll send you a box, just pay the shipping... I work at the National Archives in Canada in the film preseevation lab. We have 1000's of cores, 4" and 3" 35mm and 1" - 4" 16mm ones that we just chuck in the recyle bin. Everything gets put on our own archival cores so the old ones are tossed.

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Mark Strube
Master Film Handler

Posts: 322
From: Milwaukee, WI, United States
Registered: Feb 2007


 - posted 03-26-2008 02:31 AM      Profile for Mark Strube   Author's Homepage   Email Mark Strube   Send New Private Message       Edit/Delete Post 
This is the case that's been hanging out in our booth for at least a month now. It was for a rental - one showing. All kinds of Jack Bauer jokes were made.

 -

Our clients actually thought this DTS disc would work - and were upset when it was explained to them that it would drop to SR at some point (even after seeing the disc themselves). Apparently we don't have the latest disc reading technology...

 -

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Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 03-26-2008 11:00 AM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
I wouldn't even want to run the DTS at all at that point. The disk would be weighted wrong (not evenly) and wouldn't spin flat. It would possibly hit inside the drive and break off more stuff and possibly F-up your unit.

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Jarrad Salmon
Film Handler

Posts: 25
From: Baulkham Hills, NSW, Australia
Registered: May 2006


 - posted 03-31-2008 04:38 AM      Profile for Jarrad Salmon   Email Jarrad Salmon   Send New Private Message       Edit/Delete Post 
I have had mixed experiences with Bollywood.

More often than not the print comes in well used and abused... Common things are: Oily prints, no bobbins, no heads/tails, scratches and general film/perferation damage. I even had an 8 spool print arrive an hour before the rostered screening!

That said, I had a print come in recently that was brand new. Was also quality film stock. Rare as rocking horse [bs]

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