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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Audio CAP on Indy (Page 7)

 
This topic comprises 7 pages: 1  2  3  4  5  6  7 
 
Author Topic: Audio CAP on Indy
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 05-31-2008 05:17 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
It's digital Steve. Stop complaining. Digital is perfect.

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Kenneth Wuepper
Phenomenal Film Handler

Posts: 1026
From: Saginaw, MI, USA
Registered: Feb 2002


 - posted 05-31-2008 05:34 PM      Profile for Kenneth Wuepper   Email Kenneth Wuepper   Send New Private Message       Edit/Delete Post 
DLP

Dancing Little Pixels

[ 06-01-2008, 08:29 AM: Message edited by: Kenneth Wuepper ]

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Marco Giustini
Film God

Posts: 2713
From: Reading, UK
Registered: Nov 2007


 - posted 05-31-2008 06:46 PM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
Strange. I actually use the opening credits to focus since that fonts with that double thin legs are perfect for it.

But credits in Italy are translated. I don't want belive that this time we did something right... It was a mistake for sure! [Smile]

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 06-01-2008 11:46 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
quote: Kenneth Wuepper
Dancing Little Pixels
Wahhhhaha! Kenneth RULES! [thumbsup]

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 06-01-2008 12:27 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Yeah Brad but this film was supposd to be all analog...you know...shot on film, cut on film...etc. I expected to see strings holding things up and such.

However...aliased letters in a film print? Come on...how LOW a resolution do you need to go to get that?

I'm also curious if on the digital versions if the low-res characters interacted with the digital pixel grid...especially since they are a version of "outline" characters.

Steve

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 06-07-2008 01:05 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
To get back on topic. We opened the movie today and as expected, got the film at around 4:00 PM so no time for anything but the quickest inspection. The sound played perfectly here on our CP650. (I do agree the digital prairie dogs were kind of annoying.)

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Damien Taylor
Master Film Handler

Posts: 493
From: Perth, Western Australia
Registered: Apr 2007


 - posted 06-07-2008 01:19 AM      Profile for Damien Taylor   Email Damien Taylor   Send New Private Message       Edit/Delete Post 
I love that font for focusing, its just a damn sexy font. That and the Lucas logo, you can get quite sharp on that. Unfortunately the screen it got moved to is on such a sharp projection angle you can't focus the whole screen, its a focus compromise. [Big Grin]

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Luci Reeve
Film Handler

Posts: 50
From: Telluride, CO, USA
Registered: Feb 2006


 - posted 06-16-2008 01:09 PM      Profile for Luci Reeve   Author's Homepage   Email Luci Reeve   Send New Private Message       Edit/Delete Post 
We got the sound glitch on our print and when I looked at it there was that blue line through the digital information. I put a mono cue before the first of the three glitches and a digital cue after the last one. We also had that problem with our Prince Caspian print and played the whole thing in mono because it was in the whole movie. Indiana Jones is just on reel 5. I never saw anything like it! The sound cut completely out except for a screeching noise! I was hoping thisw was an anomoly but I guess not.

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Jonathon Miller
Film Handler

Posts: 9
From: Kallaroo, Western Australia, Australia
Registered: Jul 2008


 - posted 08-16-2008 12:40 PM      Profile for Jonathon Miller   Email Jonathon Miller   Send New Private Message       Edit/Delete Post 
I'd splice it out and send it back, telling them it is not worth the complaints the desk is fielding regarding audio defects.

Y'know, like a hostage sometimes loses a thumb to the postal service?

Then again, there is probably good reason I'm a booth jockey and not mgt...

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Jon P. Inghram
Expert Film Handler

Posts: 124
From: Wichita, KS USA
Registered: Jan 2007


 - posted 09-29-2008 08:58 PM      Profile for Jon P. Inghram   Email Jon P. Inghram   Send New Private Message       Edit/Delete Post 
Just noticed that Eagle Eye also has this wonderful "copy protection" on it. Several times in reel 2 during the absurd get-away scene with the Porsche SUV the SRD error rate will go from 2-3 to F just long enough to drop to analog for a few seconds and they go right back to 2-3. Also, I took a look at the print and it's got the blue line through the SRD track with the blue blobs on the analog, just like in Brad's photos.

[ 09-29-2008, 10:16 PM: Message edited by: Jon P. Inghram ]

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Dustin Mitchell
Phenomenal Film Handler

Posts: 1865
From: Mondovi, WI, USA
Registered: Mar 2000


 - posted 09-29-2008 09:40 PM      Profile for Dustin Mitchell   Email Dustin Mitchell   Send New Private Message       Edit/Delete Post 
Burn After Reading in the JPEG2000 format may also have this. I noticed it the other day, its the scene just before Brad Pitt meets John Malkovich, right when Pitt and McDormand exit the gym out the back door and she tells him he has to wear a suit, there is an audio glitch, almost like a dolby processor dropping out quick at a lab splice or other defect. I've noticed this one two different screens with completely different sound systems.

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Marco Giustini
Film God

Posts: 2713
From: Reading, UK
Registered: Nov 2007


 - posted 09-30-2008 04:00 AM      Profile for Marco Giustini   Email Marco Giustini   Send New Private Message       Edit/Delete Post 
So I was not dreaming!

I heard it too but seems a bit loud to me to be an antipiracy system...

35mm SRD.

Marco

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System Notices
Forum Watchdog / Soup Nazi

Posts: 215

Registered: Apr 2004


 - posted 05-23-2010 12:30 PM      Profile for System Notices         Edit/Delete Post 

It has been 600 days since the last post.


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Jeffry L. Johnson
Jedi Master Film Handler

Posts: 809
From: Cleveland, Ohio, USA
Registered: Apr 2000


 - posted 05-23-2010 12:30 PM      Profile for Jeffry L. Johnson   Author's Homepage   Email Jeffry L. Johnson   Send New Private Message       Edit/Delete Post 
Warner Bros. sued for pirating anti-piracy technology
quote:
DID WARNER BROS. PIRATE ANTIPIRACY TECHNOLOGY?

Fri May 21, 2010 @ 01:52PM PST
By Eriq Gardner

Warner Bros. has been sued for stealing an antipiracy technology patent.

The claim comes from a German company called Medien Patent Verwaltung. According to new infringement lawsuits filed against Warners, Technicolor and Deluxe in New York and Germany, MPV says that in 2003, it introduced the studio to a method of marking films with a distinctive code so it could track back sources of piracy to the exact theater in which an unauthorized copy originated. MPV says it has been trying to get Warners to pay for use of the technology since it allegedly began incorporating the invention in prints throughout Europe in 2004.

“We disclosed our anti-piracy technology to Warner Bros. in 2003 at their request, under strict confidentiality, expecting to be treated fairly," MPV says in a statement. "Instead, they started using our technology extensively without our permission and without any accounting to us. However, we had taken care to obtain patents to protect MPV's technology, and we are now in a position where we must assert our rights.”

Warner Bros. declines to comment on the dispute. But we've discovered that MPV made a little mistake in its New York lawsuit.

The patent that MPV cites in its complaint is 7,187,633, entitled "Motion Picture and Anti-Piracy Coding."

But our search of the patent records reveals that patent number has another title: "Marking of a Data Medium Material for Information Intended for Reproduction." There is another patent entitled "Motion Picture and Anti-Piracy Coding." The assignee? You guessed it: Warner Bros.

Did the Germans accidentally steal the title of Warners' own patent when suing the studio for stealing?

The answer appears to be yes. Reached for comment, New York attorney Richard Garbarini, representing the plaintiffs, admits the error and says he will file an amended complaint.

In the meantime, there's still the larger issue of whether a major studio stole technology to help it prevent people from stealing its movies.

Complaint PDF

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 06-01-2010 03:53 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Good one. [Roll Eyes]

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