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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Millennium and 5-star threading (Page 2)

 
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Author Topic: Millennium and 5-star threading
Paul Mayer
Oh get out of it Melvin, before it pulls you under!

Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000


 - posted 06-13-2009 11:27 AM      Profile for Paul Mayer   Author's Homepage   Email Paul Mayer   Send New Private Message       Edit/Delete Post 
Just reflects the attitude of the time, "We sell all we can make, and we have a huge backlog - no need to change anything."

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 06-13-2009 04:47 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
HA! They don't any more....

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 06-13-2009 07:31 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Then why did they change the gate and trap design but not the soundhead design? Don't say "the turret!!!11!!". I have worked with many Simplexes with a turret that have the old style gates.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 06-13-2009 07:51 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Joe, they didn't change it because in their minds, film damage is perfectly acceptable.

Like I've said for years, any projector design that requires part of the machine to come into direct contact with the picture area (and in this case the EMULSION side immediately after it has been softened by the heat of the lamp) is a shitty design. Adding a leaky oil bath to the design makes the disaster even worse.

Get a Century...or a Christie...or a Kinoton...or a Cinemecannica...or any of the other GOOD machines out there. Dump the Simplexes into Phil Hill's house. He doesn't seem to know any better. [Razz]

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Paavo Mardi
Film Handler

Posts: 27
From: Tartu / Estonia
Registered: Sep 2008


 - posted 06-14-2009 05:05 AM      Profile for Paavo Mardi   Email Paavo Mardi   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
When setting the tension on the film between projector and sound, pull up on the film in the 5-star soundhead and note the damper roller arm...keep pulling until the arm reaches its stop, then back off at least one full perforation. However don't back off more than 2 perforations.
Pretty clever design on that 5-star. You can thread it much more faster. Itīs not that easy to make a perfect loop before sound drum on that long film path if there was no damper roller.
quote: Steve Guttag
...its biggest flaw...as with all Simplex/RCA designs, it has an image area contact part...the pinch roller
It doesīnt seem to be that bad. I have seen prints with lines on the picture area that are probably made by these rubber rollers. They are not visible on the screen.

I wish I had these Millenniums in my booth. We have the famous Simplex Apology projectors. Apogees dont have the pinch roller and we have to speed up the sound drum flywheel by hand, otherwise the trailers get scratched. Apogees are really bad projectors, but thatīs another topic...

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 06-14-2009 10:42 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
Get a Century.
But... but Century projectors don't have the Very Kind to Film sprockets! In fact, Century sprockets can be downright rude!

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