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This topic comprises 2 pages: 1 2
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Author
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Topic: Theatrical print quality
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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002
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posted 07-29-2010 08:22 PM
The Varsity Theatre in Honolulu at one time was a 800 seat single screen auditorium and a couple of years before it was twinned, Consolidated made it into a Road Show venue with 70mm and six track stereo sound capabilities and presented THE BIBLE, THE SAND PEBBLES, STAR, DR. DOOLITTLE and a revival showing of 2001 A SPACE ODDESSY all in the large film format. During the years after it was twinned, it was a very dreadful place to see 'scope' pictures projected on their narrow screens but if it was the only place to see a movie I want to see right away, I just had had to live with it. It was very painful to see important part of the image and credits on the right and left cropped off and that is the reason I tried to avoid the Varsity as much as possible. The theatre no longer exist anymore after it was demolished a couple of years ago.
I had no idea the new THE KARATE KID was released in 'scope' because the 'flat' version I saw last Sunday at the Pearlridge 16 looked normal and nothing like the severely cropped movies I used to see at the Varsity. Even the opening and closing credits looked fine with nice composition and no cropping. The screen in the auditorium seem to be too small to project 'scope' pictures because the width of the screen extended to both sides of the wall of the room. The screen ratio was not even the standard 1.85:1 but more like 1.66:1. If movies were projected in scope on this screen, it would be rather small with no up & down masking.
I saw THE KARATE KID very late during it's run when many 1st run theatres were no longer playing it. It has now been out more than a month and with about four showings a day, the print I saw must have gone through a projector over a hundred times already but I do not think it would have caused the print I saw to look as bad as the one I saw the other day. There are two kinds of light that are harmful to photographic color dyes- infrared and florescent and I believe the light from film projectors is incadestant and not harmful to color dyes on 35mm films.
-Claude
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