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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Set the dwell (Page 3)

 
This topic comprises 4 pages: 1  2  3  4 
 
Author Topic: Set the dwell
Victor Liorentas
Jedi Master Film Handler

Posts: 800
From: london ontario canada
Registered: May 2009


 - posted 01-18-2011 01:09 PM      Profile for Victor Liorentas   Email Victor Liorentas   Send New Private Message       Edit/Delete Post 
I like to practice my speed skills at all times when threading!
I pretend my life depends on a perfect fast thread up!
This keeps it fun but also can help your speed in a emergency situation!
Like when or if King Kong smashes his way up the balcony to get at you and you want to finish your thread and get the hell out of there! [Razz]

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James Falloon
Film Handler

Posts: 72
From: Wigram, Christchurch, New Zealand
Registered: Oct 2003


 - posted 01-18-2011 05:21 PM      Profile for James Falloon   Email James Falloon   Send New Private Message       Edit/Delete Post 
You know you're a Projectionist when ^^^

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 01-18-2011 06:27 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Manny, what is your method of threading?

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 01-18-2011 06:54 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
I always threaded top down and then read the posts here and gave the bottoms up a try and actually like it and have pretty much stuck with it, but to tell you the truth, it doesn't seem to make a hill-o-beans difference either way to me -- no appreciable advantage. All you really need to focus on the key issue and that is that the leader can't touch the floor; I can accompish that threading either way.

And as for the "dwell" thing, if you want get really fancy and to talk digital-speak, you can say the intermittent needs to be at its NULL position. heh heh

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 01-18-2011 07:10 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Why won't anyone who threads top down state HOW they keep the leader off of the floor? Do you do as I described above by locking it on the bottom sprocket or similar? I imagine if you start top-down you need to go with the gate first, otherwise you'll always be re-adjusting that top loop.

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 01-18-2011 07:15 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
If running on reels, it's easy to keep the leader off of the floor. Just wind the leader around the takeup reel (I don't use the slot, personally), then pull some slack from the feed reel and thread the machine top-down. No film will come anywhere close to the floor. And if you have Kinotons with the "POS" buttons, it is easy to thread anywhere on the leader and slowly motor down to "8" or whereever without risking damage to the mechanism. (And if your Kinotons have electronic intermittents, they will always start from the dwell position.)

The leader-on-the-floor problem is really a platter-specific issue.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 01-18-2011 07:55 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Oh now lets not forget how the EXPERTS run film reel-to-reel and perform changeovers!

Archived here

This is probably my favorite video on the internet. Never has there been, nor ever will there be projectionists quite as shitty as these guys.

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 01-18-2011 09:13 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
quote: Brad Miller
Never has there been, nor ever will there be projectionists quite as shitty as these guys.
True. It'd be hard to beat. [Frown] [thumbsdown]

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Joe Elliott
Master Film Handler

Posts: 497
From: Port Orange, Fl USA
Registered: Oct 2006


 - posted 01-18-2011 09:39 PM      Profile for Joe Elliott   Email Joe Elliott   Send New Private Message       Edit/Delete Post 
I love the scratches they put on the print that you can see on the screen, and the fact that they cannot get it to frame properly afterwards!!! I can't see anything that they do right.

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Jim Henk
Master Film Handler

Posts: 364
From: San Diego, CA
Registered: Feb 2006


 - posted 01-19-2011 12:04 AM      Profile for Jim Henk   Email Jim Henk   Send New Private Message       Edit/Delete Post 
OWWWWW!! OWWWWW!

It burns!

My jaw was right down on the floor with the film and what was left of these guys dignity!

Make it stop...

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Jake Spell
Master Film Handler

Posts: 294
From: Johns Island SC
Registered: May 2009


 - posted 01-19-2011 01:11 AM      Profile for Jake Spell   Email Jake Spell   Send New Private Message       Edit/Delete Post 
Come on guys!! They were just trying to show off that you don't REALLY NEED two projectors to run real to real. I mean so what if you see a little leader, and its not in frame, and you scratch the print to hell and back. Hell these guys don't even need a booth!!!

Just think off all the money they are saving, because at the end of the day thats all that matters, right? [Big Grin]

But seriously, WTF were they smokin when they thought that was film done right... [Confused]

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Damien Taylor
Master Film Handler

Posts: 493
From: Perth, Western Australia
Registered: Apr 2007


 - posted 01-19-2011 05:33 AM      Profile for Damien Taylor   Email Damien Taylor   Send New Private Message       Edit/Delete Post 
Love that video. Particularly the preachy (original youtube) comments about how much of a shocking and unspeakable tragedy this is, and the author replies quite matter of factly that these are junked prints and that it's just a bit of fun with what is essentially rubbish.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 01-19-2011 01:11 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
Looks like they're going from the last reel of one movie to a different reel of another. It's funny how this gets more responses buried in a thread it has nothing to do with than legit Film-Tech videos such as the Arlington tour which have their own thread (and sometimes don't even get threads made about them). What's wrong with you people?

Anyway, back to my original question: how do those of you who thread top-down keep the leader off of the floor (platter users only)?

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 01-20-2011 01:33 AM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I thread the gate first, then everything above and then everything below.

I don't really have a scientific answer for why I do it this way. I think I just like having the gate sorted out before forming the Latham loops around it. But that's just a guess. Another guess is that I think it requires the greatest degree of dexterity and so I just like to "be done with it." Another theory is that it's the area where new projectionists have the toughest time - due to the dexterity and also the issue of threading in frame - so that's the first thing I have them do over and over on the first day - just thread the gate. But these are all guesses.

As for keeping leader off the floor...

For changeovers, I wind the leader onto the takeup reel, leaving just enough "slack" to provide for threading - the slack does not touch the floor - it just forms a kind of "U" shape from the takeup reel.

When I work with platters, I lace up the entire platter system from payout to projector and back to rewind - and then thread the projector in the same way as above. Again, leader never touches the floor. By the time I've threaded the lower half of the projector, I just need to give a gentle "tug" to engage the rewind.

Once threaded, I either run-down or hand-crank down to whatever frame I need to start from.

Going at my regular "I'm in no hurry" pace, I would guess it takes me about 3 minutes to thread a projector. Could I go faster? Sure. But I don't see the need. I prefer to keep myself calm. I find that I have a better projection experience that way.

I can recall a thread on here years ago - the theme was similar - how do you thread up? - and inevitably (i guess) the subject of speed arose - so i got curious and started timing myself. I was self-conscious because I was so much slower than everyone else. So I worked at getting my speed up. I think I ended up threading platters in something like a minute and a half. It didn't stick, though. I don't see the need. When your days often 13+ hours, you just want to pace yourself and avoid errors.

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 01-20-2011 03:04 AM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Heard that some operators would place a lined trash can to catch the leader so it wouldn't hit the floor - or a series of devices inbetween platter and machine that would allow the lead to be suspended above the floor while lacing so they can do the "top down" method.

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