Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Lotsa Sloppy 'Lab Work' Lately! (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Lotsa Sloppy 'Lab Work' Lately!
Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 09-21-2011 11:47 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Randy Stankey
I would think that the fact that digital projection is becoming more prevalent would make the people who still process film should be MORE attentive to their work, not less.
Nope. If you're on a sinking ship, you're too busy bailing water or lowering the lifeboats to worry about swabbing the decks.

 |  IP: Logged

Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 09-21-2011 12:11 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
quote: Gordon McLeod
Since the stock hasn't been printed yet it has no defined frame line.
It does in effect because the outgoing reel, the end of which you are splicing to the incoming one, is already in the picture gate of the printer and (assuming it's a continuous or step contact printer) therefore its position is fixed in relation to the negative it's being printed from. When you've made the splice, both the unexposed print stock and the source negative stock will start to move through the printer gate in sync together, as they were before, as the splice goes through the gate.

 |  IP: Logged

Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 09-22-2011 09:17 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Yes but the splice must be made with the film still in motion with only a loop absorber to allow a stop of motion at the splicer

 |  IP: Logged

Richard P. May
Expert Film Handler

Posts: 243
From: Los Angeles, CA
Registered: Jan 2006


 - posted 09-22-2011 10:02 AM      Profile for Richard P. May   Email Richard P. May   Send New Private Message       Edit/Delete Post 
The initial complaints were about out of frame splices made in release prints. These are physical splices in already made prints, not raw stock splices. If unexposed film is spliced together, it could result in a mid-frame splice once in a reel, but not out of frame. It could also cause some fogging by a too-long exposure under the safelight while the film is being handled.
The splices shown at the start of this topic are sloppiness, but under production conditions are bound to happen occasionally.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.