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Author Topic: Dolby Digital/Surround Sound Problems
Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 09-22-2011 01:23 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Yep, I agree with the airpot being gone - the arm that attaches to that piston in that glass cylinder is either broken, or has come unscrewed from the piston.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 09-22-2011 09:26 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Good luck with that one. Dolby normally won't sell that part and when they do, the threads are not the same. There is a real liklihood of breaking the new one too. For those of us who have done (hundreds?) of these adjustment is easy.

The real approach is to make the system impervious to future breakage. (It is possible.) Louis

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 09-23-2011 08:53 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Tony Bandiera Jr
Check the condition of the lightpipe with the CAT 700 lamp powered up..if it is yellowed or has dark spots, replace it.


The light pipe has long been NLA.

Mark

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 09-23-2011 10:16 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
We have converted the 700s to the 701s.The bracket fits perfectly where the light pipe was, the LED works exactly right. You then switch to high gain on the camera and power the LED and you are done. I have used the Kelmar LED supply from one of the old Gray boxes. It is smaller and more reliable. I have never had a failure.

Youhave now creatd a 701, with no light pipe. Louis

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Walter Rabey
Film Handler

Posts: 14
From: Canada
Registered: Nov 2010


 - posted 09-24-2011 12:36 AM      Profile for Walter Rabey     Send New Private Message       Edit/Delete Post 
I have had a tension arm wear out before, and cause exactly this to happen. Our CP500 would get stuck in the wrong mode and I would have to reset it to get it back into the proper mode. Replacing the tension mechanism solved the issue.

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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999


 - posted 09-30-2011 11:38 PM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
Justin, when you say that the system is switching back and forth between digital and "surround," what exactly do you mean? I am assuming you mean it is switching between digital and analog, but I am also thinking that you are saying it's switching to "surround" because that's what you hear in your auditorium when the digital fails. If that is the case, then your analog system is badly out of alignement.

Now I know this is not going to help you with your digital fail issue, but this also may be a good time to address the alignment of the analog A-chain, if indeed when you revert to analog you hear a lot more out of the surrounds. It is possible to get your analog playback to sound so close to digital so that even if the digital fails and reverts to analog, i.e., to your backup system, most patrons will not even know it occurred. In a case such as yours where you are having trouble with digital, a well aligned and reliable analog system will save your butt, BUT you analog has to be right on the money. If when you revert to analog all you hear is surrounds, then your analog is seriously out of wack.

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