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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » Particle transfer roller effectiveness (Page 2)

 
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Author Topic: Particle transfer roller effectiveness
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 11-06-2012 02:06 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
Agreed completely with Manny. I used to find that if you had a brand new print and were going to run it on a platter four times a day, then PTRs in the film path definitely helped to keep it clean. But if you've got a knackered old print, then using a PTR on it is like using a toothbrush to sweep a yard - it's not going to help you very much.

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Brent Francis
Film Handler

Posts: 84
From: Toronto Ontario Canada
Registered: Nov 2008


 - posted 11-07-2012 03:44 PM      Profile for Brent Francis   Author's Homepage   Email Brent Francis   Send New Private Message       Edit/Delete Post 
Thank you for confirming.

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Mark Hajducki
Jedi Master Film Handler

Posts: 500
From: Edinburgh, UK
Registered: May 2003


 - posted 11-08-2012 09:01 AM      Profile for Mark Hajducki   Email Mark Hajducki   Send New Private Message       Edit/Delete Post 
quote: Leo Enticknap
if you had a brand new print and were going to run it on a platter four times a day, then PTRs in the film path definitely helped to keep it clean
Although if you had film adverts you would need to swap the PTRs before the start of the feature to remove the dirt supplied by the advertising company (who swapped adverts between cinemas).

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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 11-12-2012 02:11 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
Or you could clean the ads before placing them...

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 11-20-2012 06:10 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
quote: Mark Hajducki
Although if you had film adverts you would need to swap the PTRs before the start of the feature to remove the dirt supplied by the advertising company (who swapped adverts between cinemas).
Good point. At the only place I worked that had PTRs, we typically ran two films, one at 2pm and 6pm and the other 4 and 8. Therefore, we ran the ads and trailers on a separate 2,000 foot reel and then the feature from the platter. The ads wouldn't go through the PTRs, but the feature would.

Manny - not sure if this is still the case (they're probably DCP only now), but when I was working in cinemas that showed adverts, the supplier did not send us complete reels that we could just swap out. They sent a box full of little 50-150foot rolls of individual ads (not even on cores), with instructions to remove the outgoing ads from our existing reels and return them, and splice the new ones in. It was a mind-numbingly boring job I hated it. Obviously, with dozens of cinemas editing these ads in and out of their reels all the time, the prints soon got totally knackered, especially if, like us, you were a second run cinema at the end of the chain. You would have needed an ultrasonic cleaner to make those prints even remotely presentable, and even then it probably wouldn't have done much good. I agree completely with Mark - if you'd have run an ads+feature programme straight from a platter through PTRs, then the PTRs would have exhausted their usefulness by the time you got half way through the ads.

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