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This topic comprises 2 pages: 1 2
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Topic: Particle transfer roller effectiveness
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 11-20-2012 06:10 AM
quote: Mark Hajducki Although if you had film adverts you would need to swap the PTRs before the start of the feature to remove the dirt supplied by the advertising company (who swapped adverts between cinemas).
Good point. At the only place I worked that had PTRs, we typically ran two films, one at 2pm and 6pm and the other 4 and 8. Therefore, we ran the ads and trailers on a separate 2,000 foot reel and then the feature from the platter. The ads wouldn't go through the PTRs, but the feature would.
Manny - not sure if this is still the case (they're probably DCP only now), but when I was working in cinemas that showed adverts, the supplier did not send us complete reels that we could just swap out. They sent a box full of little 50-150foot rolls of individual ads (not even on cores), with instructions to remove the outgoing ads from our existing reels and return them, and splice the new ones in. It was a mind-numbingly boring job I hated it. Obviously, with dozens of cinemas editing these ads in and out of their reels all the time, the prints soon got totally knackered, especially if, like us, you were a second run cinema at the end of the chain. You would have needed an ultrasonic cleaner to make those prints even remotely presentable, and even then it probably wouldn't have done much good. I agree completely with Mark - if you'd have run an ads+feature programme straight from a platter through PTRs, then the PTRs would have exhausted their usefulness by the time you got half way through the ads.
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