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This topic comprises 2 pages: 1 2
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Author
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Topic: Bummer, no DTS for Captain America 2
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 04-03-2014 03:32 PM
quote: Dustin Mitchell DTS is (was?) used as a way to 'dub' a movie into another language without having to make all new prints.
That can be a curse as well as a blessing.
Apologies in advance for the R-rated language in the following anecdote, but it loses something with censorship.
I was working in a DTS-equipped house in the mid-90s, which showed a sneak preview of Men in Black about a month before the UK release date. It was a promotion run by a chain of supermarkets, with people who'd earned so many loyalty card points being entered into a draw for the tickets.
The print arrived only about an half an hour before showtime: I didn't even have time to inspect it properly. I was checking the heads and tails and lacing up each reel of the changeover show while the previous one was running. I had the monitor speaker on, but with the noise of the projectors and the ventilation fans, I couldn't really hear the dialogue from the workbench.
About two minutes after a changeover, the phone rang. Duty manager: "Leo, can you check the sound? I think there could be a problem." Customer's voice heard, faintly in background: "They're all talking in fookin' wop language ... yeah, the film's gone all eyetie!" So I cranked up the monitor volume, and sure enough, the dialogue was in Italian.
To cut a long story short, the DTS had failed because of a nasty scratch right down the timecode, and we found out the hard way that the stereo variable area track on the print was of the Italian dub. The scratch affected reels 4-6, and so a previous cinema running it on 6K reels with a single changeover must have had an accident. For the last hour of the movie, the dialogue kept swapping between English and Italian.
It turned out that the distributor had imported that print at the last minute for the promotional preview screenings, and had checked in advance that all the places it was going to had DTS. There was a sheet of paper in the can of reel 1 telling us to run it in DTS only, not Dolby or the analog track, and furthermore suggesting that we switched our Dolby digital head and analog exciter lamps off for the duration of the screening. It didn't say why, but I found that out the hard way!
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