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This topic comprises 2 pages: 1 2
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Author
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Topic: 75th Anniversary for Polarized 3-D
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Frank Angel
Film God

Posts: 5305
From: Brooklyn NY USA
Registered: Dec 1999
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posted 05-31-2014 02:50 PM
THE LAST BUFFALO is one of the most impressive 3D titles I have ever seen, right up there with the best of those that Claude has named -- AVATAR, HUGO, HOUSE OF WAX, etc. It is a true cinematic experience -- the 3D is truly stunning and the content and concept are beautiful executed with not a word of dialogue, reminiscent of the beginning and ending sequences in 2001:ASO and many silent films -- completely visual and cinematic. It brilliantly juxtaposes and contrasts the beauty of the natural world against the beauty of the art created by man and technology.
Bob, any chance SOMEONE will do a Quality 3D Conversion (as Claude has aptly named it) of WORLD OF TOMORROW, just for the sake of the Anniversary? Nowadays when 3D conversions have gotten so good -- when done well, every bit as good as live capture, they could certainly do justice to that title. Given that most films genres which lend themselves to 3D, like GODAWFULZILLA, there's practically nothing there to capture as 75% of everything you see is rendered in the computer in the first place. You would just be dual-capturing live actors and a green screen. As bad as G is, the 3D was visually very effective in IMAX. IMAX is the way I try to watch all 3D titles I'm interested in if they are done in IMAX; any title released only in REALD 3D, I rather wait for the BR 3D so I can see them on my own BRIGHT home system). As for today's 3D as in IMAX, 75 Years later and dual projection 3D is STILL the right way to do it; I am itching to see IMAX 3D when they get the laser light source.
BTW, films about underwater and outer space, ala CREATURE and GRAVITY and JAWS 3, always seem to look great in 3D because in so many scenes you can have negative parallax with all that stuff floating out past the image frame while not breaking the screen edge; touching the screen edge collapses the 3D reality. Your mind says, "Hey stupid, that thing can't be 10 feet in front of the screen because it's touching the edge of the screen," thus breaking the illusion. Floating things can easily and naturally be composed not to touch the screen parimeter.
And please, as impressive as that JAWS 3 clip is, it's ANAGLYPHIC and should certainly never be called "...actual true 3D..." That sad, erronious myth never seems to go away no matter how many times it's debunked -- red/green analog way of creating left/right eye separation was NEVER the prime way ANY of the main 3D outings were exhibited. All those (many, MANY) artists and marketing dept publicity pictures out there showing an audience all wearing red/green colored glasses are dead wrong; it never happened...except for CREATURE and ICFOS decades after their initial polaroid release when Universal decided to bastardized those titles to make a little extra money. But aside from those totally isolated gimmicky instances, anaglyphic was NEVER used for mainstream 3D exhibition. Comic books, yes; cinema, no.
Oh, if only we could wipe these stupid images from the collective mind. 
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This topic comprises 2 pages: 1 2
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