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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » TALKING PICTURE PROJECTION (Page 2)

 
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Author Topic: TALKING PICTURE PROJECTION
Robert Koch
Film Handler

Posts: 93
From: Williams Ca USA
Registered: Apr 2006


 - posted 02-14-2015 06:15 PM      Profile for Robert Koch   Email Robert Koch   Send New Private Message       Edit/Delete Post 
Rules were made to be broken, Stephan,I was a 2 pack a day person when I ran nitrate and so were a lot of my cohorts.

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Martin McCaffery
Film God

Posts: 2481
From: Montgomery, AL
Registered: Jun 99


 - posted 02-14-2015 09:52 PM      Profile for Martin McCaffery   Author's Homepage   Email Martin McCaffery   Send New Private Message       Edit/Delete Post 
I used to run backup at the AFI in the Kennedy Center when they had nitrate. The #1 guy always had a lit cigar in the booth. I think he took it out of his mouth for changeovers.

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Steve Moore
Expert Film Handler

Posts: 211
From: Leeds, West Yorks, UK
Registered: Apr 2008


 - posted 02-15-2015 05:44 AM      Profile for Steve Moore   Email Steve Moore   Send New Private Message       Edit/Delete Post 
Handy link, that inflation calculator Leo. It's not quite as expensive then as i had presumed. Though it certainly was only for the wealthy I guess having the luxury of sound on an opening night!

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Rick Raskin
Phenomenal Film Handler

Posts: 1100
From: Manassas Virginia
Registered: Jan 2003


 - posted 02-15-2015 01:54 PM      Profile for Rick Raskin   Email Rick Raskin   Send New Private Message       Edit/Delete Post 
quote: Martin McCaffery
The #1 guy always had a lit cigar in the booth. I think he took it out of his mouth for changeovers.
I never saw Carl without that cigar.

BTW: He passed away several years ago.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 02-15-2015 02:49 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
There's a cremation joke in here somewhere, but it might ruffle some people's feathers. [Razz]

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Aubrey Jones
Film Handler

Posts: 3
From: Columbus, Indiana, USA
Registered: Jan 2015


 - posted 02-15-2015 05:12 PM      Profile for Aubrey Jones   Author's Homepage   Email Aubrey Jones   Send New Private Message       Edit/Delete Post 
Hello and thank you all for recently adding me. I was doing a documentary on The Crump Theatre in Columbus, Indiana and was hoping I could send a link for some of your experienced member to look at some of the equipment here. It seems there maybe some gem stuff in here? I love production and cameras but the movie house is the End User, laughing, I guess I found a new passion, vintage movie equipment and theaters, because that is the end payoff for all the other efforts. Thank you Aubrey Jones. http://www.silverstationvideo.com/the-crump-theatre/

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 02-15-2015 06:19 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
Last time I checked crematoria don't give discounts for burn victims sorry bad that joke was half baked [Smile]

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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 02-15-2015 07:59 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
Assuming it hasn't passed the autocatalytic point, nitrate is surprisingly difficult to ignite. I remember once disposing of a decomposing reel in an empty car park: I had to hold the lighter to it for a good 3-4 seconds before it actually caught. Once it did it went up like the Hindenburg, but the stuff is not like gasoline, where a tiny spark in the presence of a whiff of vapor is all it takes.

My earlier post was meant as a joke, but I'm not surprised that projectionists in the '30s and '40s smoked in the booth - in those days, everyone smoked pretty much everywhere, and actual film fires were extremely unusual. As with all safety-critical work, familiarity breeds contempt.

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Jarod Reddig
Jedi Master Film Handler

Posts: 513
From: Hays, Ks
Registered: Jun 2011


 - posted 02-15-2015 09:07 PM      Profile for Jarod Reddig   Email Jarod Reddig   Send New Private Message       Edit/Delete Post 
Really fascinating website! Very much appreciated and its nice to see how much detail was put into old movie palaces compared to the current run-of-the-mill cracker jack boxes being made.

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Robert Koch
Film Handler

Posts: 93
From: Williams Ca USA
Registered: Apr 2006


 - posted 03-04-2015 04:57 PM      Profile for Robert Koch   Email Robert Koch   Send New Private Message       Edit/Delete Post 
Steve Matz:
Where in the world did you come up with the picture of the WE guys in the 3-piece suits. This is indeed how they dressed, T remember so well. The suits didnt do too well if they had to change or dismantle a 709 drive or change a 555 lst down on the deck. The dry cleaner had to be consulted.

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Steve Matz
Jedi Master Film Handler

Posts: 672
From: Billings, Montana, USA
Registered: Sep 2003


 - posted 03-05-2015 01:21 AM      Profile for Steve Matz   Email Steve Matz   Send New Private Message       Edit/Delete Post 
Can't remember when/where I got that Photo Robert. I have a Ton of old Vintage Photos that cover the 20's 30's 40's. I liked the way people dressed in the 30's and 40's. Showed that they had some Class back then. Look at what the Kids wear to School now days, even the Girls Look like Bums ! [puke]

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Bill Duelly
Film Handler

Posts: 92
From: Roselle Park, NJ
Registered: Feb 2006


 - posted 03-05-2015 05:46 PM      Profile for Bill Duelly   Email Bill Duelly   Send New Private Message       Edit/Delete Post 
That still is of comedy producer Hal Roach, standing, and i believe his head of sound, Elmer Raguse. From what i had seen of the picture before, it is a screening room on the lot, having just had the new sound equipment installed.

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 03-05-2015 07:39 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I worked for the senior Norm Schneider in the 1970s when both of us were at Altec Service Corp. In 1926, a small cinema was charged $25k down and $25k per year lease/service. A large theatre was double. Multiply by 9.998 (OK by ten) to get today's dollars. Pricey. 10 cent ticket, short programs. You could have at least 7 full shows per day except on Sunday. The price included parts and labor on everything except lamp. rectifier and projector, which were mostly bullet-proof with real professional (and sometimes licensed) projectionists.

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Florian Pausch
Film Handler

Posts: 11
From: Wien, Austria
Registered: Dec 2000


 - posted 03-23-2015 06:45 PM      Profile for Florian Pausch   Email Florian Pausch   Send New Private Message       Edit/Delete Post 
There is a WE Universal Base in running condition (incl. Pick Up) at the wonderful Stockport Plaza, near Manchester. Thirty years in the business, I had to go there to hear "Nadelton" for the first time...and yes, sound quality is marvelous!

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Stephen Furley
Film God

Posts: 3059
From: Coulsdon, Croydon, England
Registered: May 2002


 - posted 03-30-2015 07:25 AM      Profile for Stephen Furley   Email Stephen Furley   Send New Private Message       Edit/Delete Post 
Matrices for 16 inch Vitaphone discs do still exist; I've seen a few, and they seemed to be in good condition. I wonder if any plant still has a press which could handle that size, and press a few replica disks. Could the Vitaphone turntables play vinyl, or would it be too soft?

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