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» Film-Tech Forum ARCHIVE   » Operations   » Film Handlers' Forum   » TOO LATE - 35mm only release (Page 4)

 
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Author Topic: TOO LATE - 35mm only release
Simon Wyss
Film Handler

Posts: 80
From: Basel, BS, Switzerland
Registered: Apr 2011


 - posted 03-29-2016 02:16 AM      Profile for Simon Wyss   Email Simon Wyss   Send New Private Message       Edit/Delete Post 
There were Simplex projectors with angle telescopes. Spyglasses are not a luxury in a booth.

Severe exams should be reintroduced for film projectionists worldwide. Makes me so angry to read about such sloppyness

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Tyler Purcell
Expert Film Handler

Posts: 180
From: Van Nuys, CA
Registered: Dec 2015


 - posted 03-29-2016 12:24 PM      Profile for Tyler Purcell   Author's Homepage   Email Tyler Purcell   Send New Private Message       Edit/Delete Post 
Kills me that every reel had a different set of issues as well. Which means that print had been shown using two projectors before and most likely it was those guys who damaged it so badly.

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Markus Lemm
Expert Film Handler

Posts: 113
From: Ottawa, Ontario, Canada
Registered: Nov 2005


 - posted 04-12-2016 05:41 PM      Profile for Markus Lemm   Author's Homepage   Email Markus Lemm   Send New Private Message       Edit/Delete Post 
Just got our print of 'Too Late'! Brand new print and no splices. Looks great. Will be running the print using 20 minute manual change-over to preserve the print; the way we used to do it.

Come and see it at the Mayfair, April 29-May 5.

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Rachael Barbash
Film Handler

Posts: 31
From: Columbus, Ohio, US
Registered: Feb 2009


 - posted 04-18-2016 02:53 PM      Profile for Rachael Barbash   Author's Homepage   Email Rachael Barbash   Send New Private Message       Edit/Delete Post 
I just started building this and I'm a little confused. I'm hoping someone else who has built/seen the Too Late print could give me a little input. Each reel seems to have a small portion of black before the changeover cue. Whoever had this print before us already cut in I'm assuming the correct spots except for one, where they cut right where the image stopped but before the changeover cue. So that made me nervous. I'm wondering if that was a mistake or they were told to cut there. Has anyone else built this print?

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Tim Linehan
Film Handler

Posts: 3
From: Los Angeles, CA, U.S.A.
Registered: Apr 2016


 - posted 04-18-2016 11:25 PM      Profile for Tim Linehan   Email Tim Linehan   Send New Private Message       Edit/Delete Post 
The cues on black are intended/correct: some (or was it all?) reels cut to black before the changeover. Hope you have a print that is in better shape - the one I screened a month or so ago was the horribly scratched one. I'd have run DCP if it was an option.

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Rachael Barbash
Film Handler

Posts: 31
From: Columbus, Ohio, US
Registered: Feb 2009


 - posted 04-19-2016 10:20 AM      Profile for Rachael Barbash   Author's Homepage   Email Rachael Barbash   Send New Private Message       Edit/Delete Post 
The first reel and end of the second reel are pretty rough but the rest seems fine. We're also playing the short Sunday Punch, which is a short from 2010 from the same director (and it seems to be part of the same story as Too Late?) and that reel was brand new. It arrived in a plastic wrapped canister on a plastic core.

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Matt Miller
Film Handler

Posts: 10
From: Los Angeles, CA, USA
Registered: Dec 2015


 - posted 04-19-2016 12:19 PM      Profile for Matt Miller   Author's Homepage   Email Matt Miller   Send New Private Message       Edit/Delete Post 
Hi Rachael, this is Matt Miller, producer for TOO LATE. Let me know if i can talk you through the changeovers with the blacks. Also, your print came from the Village East in NY, and I never received a print report, so I'm curious to hear how it held up after a couple weeks there.

Feel free to shoot me an email so we can connect:  -


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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 04-19-2016 01:24 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
Watched this last night. Fantastic experience, great movie! So nice to see film on screen.

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Bill Gabel
Film God

Posts: 3873
From: Technicolor / Postworks NY, USA
Registered: Jan 2002


 - posted 07-04-2016 11:11 AM      Profile for Bill Gabel   Email Bill Gabel   Send New Private Message       Edit/Delete Post 
After 63 days in release (9 weeks) with 7 prints at it's widest release, the film has grossed in the U.S. $60,438

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Max Hayman
Film Handler

Posts: 16
From: London, England
Registered: Jan 2015


 - posted 11-11-2016 05:49 AM      Profile for Max Hayman   Email Max Hayman   Send New Private Message       Edit/Delete Post 
We are showing this at Union Films, Southampton University, UK on Wednesday 16th October.

The print arrived last week - still need to check through it however.

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Fredrik Sandstrom
Film Handler

Posts: 63
From: Turku, Varsinais-Suomi, FINLAND
Registered: Mar 2014


 - posted 11-16-2016 02:47 AM      Profile for Fredrik Sandstrom   Email Fredrik Sandstrom   Send New Private Message       Edit/Delete Post 
quote: Max Hayman
We are showing this at Union Films, Southampton University, UK on Wednesday 16th October.

The print arrived last week - still need to check through it however.

Ah, glad to see it arrived safely; I shipped that print out to you after its little "tour" through Finland, that I arranged with help from Matt Miller and a number of venues here in the country. It was fun to be able to do this and the film was very well received.

The print was in excellent shape in our last screening, so you should have no problems with it. Have a good show tonight!

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