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» Film-Tech Forum ARCHIVE   » Community   » The Afterlife   » The Essential Charlie Chaplin - review and warning (Page 2)

 
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Author Topic: The Essential Charlie Chaplin - review and warning
Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 08-15-2003 10:41 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
quote:
By the way, does anyone know who got the rights to the Blackhawk collection?
David Shepard.

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Bill Carter
Expert Film Handler

Posts: 162
From: Minneapolis, Minnesota
Registered: Sep 1999


 - posted 08-16-2003 01:23 AM      Profile for Bill Carter   Email Bill Carter   Send New Private Message       Edit/Delete Post 
David Shepard (who once worked for Blackhawk in Davenport, Iowa) bought the 16mm negative library some years after Blackhawk's demise. His company, Film Preservation Associates, can still provide new 16mm prints of this material. Some titles have even been upgraded since the Blackhawk days. David does indeed own the bona-fide Chaplin Mutual negatives. Newly struck, full-silent-aperture 35mm prints from these elements can be booked theatrically from Kino International in New York.

David produced the now out of print Image discs of the Chaplin features, which were originally mastered for Laser disc. Working with the Chaplin estate, he used the best elements made available to him for those masters. David is also responsible for the amazing Buster Keaton multiple box set, the "good" versions of Chaplin's Keystones, Essanays, and Mutuals, plus a staggering number of other silent features and shorts that are/were available from Image Entertainment (disc) and Kino International (VHS).

The lousy Chaplin discs that Brad mentions in the beginning of this thread keep cropping up again and again, from several different companies in a variety of packaging. Some of these masters were created by shooting projected 8mm (NOT a typo--8mm)
prints with a camcorder. This is absolutely the worst you'll ever see these public domain shorts look. Unfortunately, the box art on the new Warner Bros. DVD set looks very similar to some of these horrible ones. Don't get fooled.

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 08-16-2003 09:18 AM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
The Chaplins I have on 16mm I have replaced most of them over the years due to better source material available....possibly due to Mr. Shepard's input. I started collecting Blackhawk 16mm as a teenager in the 1960's. In 1969 I was in Davenport with a traveling show as a stage electrician / followspot operator and spent the afternoon at the "red brick" building that housed Blackhawk Films. The staff treated me as a VIP and where happy to show the magic they did on their premises.

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 08-16-2003 09:14 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
I saw "The Gold Rush" on TCM, I believe it was, a few weeks ago. I couldn't get over how good it looked! It looked like it was shot yesterday!

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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001


 - posted 08-17-2003 07:28 AM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
Brand-new 16mm prints of great silent titles once carried by Blackhawk are available again at www.filmclassic.com.

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