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This topic comprises 4 pages: 1 2 3 4
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Topic: 'The Jazz Singer' (1927) - DVD availability
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 08-08-2004 01:10 PM
Point taken, and I wasn't trying to belittle the content of the film in any way - in fact, that's one of the reasons I wanted to see it again. I was, however, agreeing with Mark that (unless my memory of it is by now pretty inaccurate), the technical aspects of The Jazz Singer really do give away the fact that it was only the second attempt to make a feature-length film with synchronised audio all the way through.
Incidentally, one of the earliest British sound films to survive is also about Judaism - a 1924 experimental short made by De Forest Phonofilms of the Music Hall (Vaudeville) star Teddy Elben performing his sketch 'When the Yiddisher Band Played an Irish Tune'. It's about a Jewish band which is invited to play at an Irish wedding and failing miserably to perform the right kind of music, which grew out of the fact that in the 1920s, East London had very strong Irish and Jewish communities living in the same area. The film contains about every politically incorrect joke about the Jews and the Irish you can think of, and then some. You ought not to laugh, but can't help it. Being a De Forest Phonofilm it runs at 20fps (although the National Film & Television Archive corrected the offset when reprinting it - originally, De Forest Phonofilms printed the track behind the picture, and the optical sound reader sat on top of the projector, like a Dolby digital penthouse), but still sounds pretty good nonetheless.
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 08-14-2004 07:42 PM
The only time I've seen the film was on 16mm - and the print looked like an umpteenth generation dupe to me. It was abnormally flat and fuzzy. Based on lots of other Hollywood films from the late '20s I've seen, I really don't think that represented in any way what an original release 35mm print would have looked like. I certainly hope that better elements survive.
But I do agree that, from my dim and distant memory of it, that the content of the film is pretty primitive. The continuity is clumsy, and it's as if some scenes were paced to fit the music cues rather than how they'd naturally have been directed and acted if there wasn't any synchronised music to worry about. I'd be interested to see Don Juan, to find out if it suffers from a similar problem.
What prompted me to start this thread was recently seeing a restored print of The Wrecker, a 1929 British film which had a music track synchronised with RCA Photophone, but no dialogue. The first British feature which actually had recorded and synchronised dialogue, Blackmail (directed by Hitchcock), followed a couple of months later. So for obvious reasons I was comparing The Wrecker to The Jazz Singer in my mind several times while watching it, therefore, and thought that I could answer a lot of the questions which cropped up simply by ordering a DVD from Amazon. When I found that I couldn't, I started this thread.
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This topic comprises 4 pages: 1 2 3 4
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