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This topic comprises 3 pages: 1 2 3
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Topic: No Blu-Ray DVD?
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 12-22-2004 11:50 PM
Just about every type of digital technology has competing formats. Look at the computer industry. Disk drives: IDE, SATA, SCSI, Fiberchannel. Flash memory: CF, SD, MMC, Microdrive, etc. I could go on and on with that industry alone. The coexistence of X-Box, PS2 and Gamecube was previously noted. How about Dolby Digital, DTS and (to a lesser extent) SDDS? Some DVD players handle both SACD and DVD-A discs.
Anyway, there is really very little evidence out there to suggest HD-DVD and Blu Ray cannot coexist in the same market. But the trick to it really is electronics companies offering players that can handle both formats. I think that is the key. Phillips Electronics (one of the Blu Ray partners) has eluded to doing this very thing. I would expect Pioneer to do the same since they have typically led the pack on "universal" format players. They were first to market with DVD-A/SACD compatible players. They were amongst the first to offer DVD-R/RW and DVD+R/RW in a single drive. Hopefully features like DVD-A/SACD capability will be offered in next-gen HD-based disc players. That would provide more incentive to get consumers to upgrade.
I think "universal" format players are also the only sensible way for a format war to sort itself out between HD-DVD and Blu-Ray. At least it is the only way where customers won't get penalized for buying into the format that eventually loses. If people like Blu-Ray discs more then they will sell better and force those wanting to release only with HD-DVD to change their release policy.
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Bruce Hansen
Jedi Master Film Handler

Posts: 847
From: Stone Mountain, GA, USA
Registered: Dec 1999
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posted 02-16-2005 12:42 PM
quote: Phil Hill high-def discs are considered by tech experts to be nearly invulnerable, which could put a dent in film piracy.
Isn't this the same thing they said about DVDs, before they were hacked? It is just a matter of time before anything gets hacked.
quote: Bobby Henderson I don't know the bandwidth limits for a standard fiber-optic or coaxial digital audio connection, but my understanding is LPCM 5.1 would be too much for it.
Full bandwidth HD-SDI at 1.5 GHz is sent over 75 ohm coax in broadcast and production houses, and can go several hundred feet without re-clocking. Full bandwidth 5.1 ch. audio should be no problem.
I do not understand why fiber is used in short haul consumer stuff. There is just no reason for it. Coax works just fine, and you don't have to change electronic signals to light, then back again at the other end. To me, any signal conversions are a bad idea, unless there is a reason for it. Besides, the consumer plastic fiber is CRAP. You cannot use more than 75 feet of it before the signal goes away. Digital audio on coax can be run 100s of feet (if not 1000s).
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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 02-16-2005 07:50 PM
Not really Joe,
As far as the connector goes...the BNC offers a secure connector (won't just fall out) that is easily installed (more so than an RCA) and maintains the 75-Ohm impedance, even though barrel splices (if the correct connector is used.
Even with just lowly composite, signal integrety is signal integrity. Send a multiburst signal in one end, look at it on the other...everything that signal goes though (including the cable) will have a notable downgrading affect to the signal.
Composite is often used (in professional circles) for monitor feeds (with "super" and without time code information) and is often viewed just black and white. However, the signal needn't be degraded by the installation materials. A monitor feed is a representation of the presentation signal. It need not be perfect. It is cheaper to run composite (and entirely adequate) for monitor feeds than S, Component or 5-wire. Especially when you get a sophisticated switching system involved.
If you are just talking about a few feet of cable...sure you could run most anything and it would work just fine (connector or cable).
As to composite for other uses....it is the least common denominator...every piece of video gear supports it so one always must support it. It is also easy for brain-dead end-users to deal with...it has just the one cable.
You can't use S-Video...it keeps falling out of the connector. Component is right out...three different cables that must be connected to particular colors with the green one going to the terminal labeled "Y"...no way the average non-techie type is going to deal with that. 5-Wire? Sure, if it is on a VGA connector but that is starting to be a problem for the higher resolutions and frequencies...the VGA connector doesn't maintain the 75-Ohm impedance...again not a big deal for short runs. However, you now have a switching situation in that not all sources (well almost none but computers) are outputting 5-wire and the cost of cable and switchers (or patch bays) goes up geometrically.
So, composite will work for everybody...does it look like crap? You bet. Does using improper materials make it look worse? You bet...over a long enough run in a big enough system.
Kinda comes back to my "why don't folks use the SDI or HDSDI" for the various grades of signals. They are single coax solutions that look as good as their analog counterparts. I once had to run a little jumper for HDSDI (out of one component into another in the same area) with an 18" long cable...the guy I was doing this for asked if the cable was rated for HDSDI (it wasn't) but I told him that for 18", you could run even HDSDI in free air with single conductors and it wouldn't matter. The jumpers worked just fine
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