Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » The Afterlife   » HDTV Calibration (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: HDTV Calibration
Jennifer Pan
THE JEN!

Posts: 1219
From: Denver, Colorado
Registered: Nov 2003


 - posted 10-14-2008 03:14 AM      Profile for Jennifer Pan   Author's Homepage   Email Jennifer Pan   Send New Private Message       Edit/Delete Post 
In this day and age its not possible to avoid if you want accurate colors, etc. Computer monitors are calibrated too, definite in my line of work.

 |  IP: Logged

Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 10-14-2008 08:49 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
It's not as difficult to properly adjust HDTV or computer monitor displays as some would like to make it seem. It's certainly not worth jobbing it out to some guy from a store for hundreds of dollars.

I like my TV set for its capability to have individual adjustments for each signal input. The settings that work best for Blu-ray aren't necessarily going to be proper for the PC monitor input.

One thing is certain, the factory default for many HDTV sets sucks it big time. My Sony KDL52XBR4 came out of the box set to "Vivid". Garish beyond all hell.

With regard to computer monitors, there's a lot more going on there if you depend on getting accurate color out of printers. In my job, colors have to look consistent with what's coming out of a large format printer, be it the 54" printer in my office or an 18' wide billboard printer in Dallas or Lubbock.

You also need a very good quality monitor and professional graphics software. Microsoft Publisher and some $199 display from Office Depot isn't going to cut it. A colorimeter system, such as X-Rite, can be a good investment. It's a labor intensive process to develop custom profiles for monitors and printers, but it's the most dependable way to get spot-on color accuracy.

Companies like Adobe have made the situation a lot easier to handle when moving artwork from one application in the suite to another or sending files to be output elsewhere. Still, it's a good idea to list color references (example: "the yellow is supposed to look like Pantone 123C") just in case.

 |  IP: Logged

Jennifer Pan
THE JEN!

Posts: 1219
From: Denver, Colorado
Registered: Nov 2003


 - posted 10-14-2008 02:30 PM      Profile for Jennifer Pan   Author's Homepage   Email Jennifer Pan   Send New Private Message       Edit/Delete Post 
PANTONE colors are off the chain!

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.