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» Film-Tech Forum ARCHIVE   » Community   » The Afterlife   » 3D is bad for you ... (Page 2)

 
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Author Topic: 3D is bad for you ...
Jeremy Jorgenson
Phenomenal Film Handler

Posts: 1002
From: Chicago, IL, USA
Registered: Feb 2005


 - posted 03-16-2010 09:18 PM      Profile for Jeremy Jorgenson   Author's Homepage   Email Jeremy Jorgenson   Send New Private Message       Edit/Delete Post 
quote: Darryl Spicer
Saw 6
seven. [Smile]

Jackass 3D should be interesting. [Big Grin]

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Darryl Spicer
Film God

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From: Lexington, KY, USA
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 - posted 03-17-2010 12:05 PM      Profile for Darryl Spicer     Send New Private Message       Edit/Delete Post 
Yep 7 is what I ment.

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Frank Angel
Film God

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From: Brooklyn NY USA
Registered: Dec 1999


 - posted 03-23-2010 04:15 AM      Profile for Frank Angel   Author's Homepage   Email Frank Angel   Send New Private Message       Edit/Delete Post 
There will always be lousy movies whether they are in 3D or not. Why are we continuing to call 3D a gimmick? You see in 3D ALL THE TIME. Is it a gimmick? Is color a gimmick? There was a time when critics were saying the same thing about color....that only certain genre of films should be made in color. SERIOUS films, dramas should be made in black and white. The color "gimmick" should be used only for fluffy subjects like musicals and comedies. Now we think of those arguments as quaint or even silly. 3D is not a gimmick, it's a cinematic tool just like color. One could say the same thing about color as Joe said about 3D -- "what's the point" of having a film in color when you could tell the same story equally as well in black and white?

As more and more films are made in 3D, and even more to the point, as 3D Television becomes a reality, 3D will become part of the entertainment landscape just as color TV eventually became ubiquitous. And that WILL happen sooner rather than later because the broadcast industry and hardware manufactures are all geared up to MAKE it happen. At this point the public is almost irrelevant. I was just flipping thru cable channels today and on CableVision Chn 3 - iOTV as it calls itself -- the screen was black. How odd I though, so I want back to it and there on the bottom of the screen was the station ID band which read, iOTV in 3D. Evidently they are already testing 3D transmission. Once 3D TV become a reality, the idea that 3D could be a passing fad will become moot. Once it's in the living room and not just an occasional specialty at the movies, it will be here to stay, just like color.

The fact that there will be bad 3D movies, just like there are bad movies in color, will no longer be the deciding factor as to whether or not 3D "sticks" this time. Directors don't HAVE to throw things at the audiences and they will learn that fast enough, just like directors learned that they didn't need to have gaudy bright colored objects dominate every scene to show off the color process.

Cameron knew how to use 3D; AVATAR is about the best use of 3D I've seen. 50 years before him DeToth knew it and made HOUSE OF WAX with superb 3D depth and with very few gratuitous in-your-face 3D effects....the same with Hitchcock's DIAL M FOR MURDER in which most of the whole film was shot with practically everything further behind the screen plane. So why did it need 3D at all Joe would ask? Well, why did it need color at all? It's a way of seeing that the director chose to use, as is the case with all cinematic tools. Why shoot in 1.85 or scope? Why not Academy? Is 1.85 a gimmick? Is scope? (don't answer that!)

And Julio, I too was at the first 3D Expo, and except for 2 days when I couldn't get up in the morning in time for the first screening, I watched all three movies all 6 days of that festival and I DIDN'T go directly to my hotel but partied at least three nights into the wee hours and every night drove back to the hotel which was in Santa Monica, not downtown. I can attest that I suffered nary the slightest bit of ill effects from watching six hours of 3D movie a day. No dysphoria, no dyslexia, no dyspepsia; no difficulty balancing, swallowing or judging distances.

Like I said, the brain is quite adaptable and a pretty smart organ to boot; it seems to have no trouble figuring out what is a 3D movie and what is 3D reality. At least that was my experience as well as the guys I was partying with after those long days of dual projection 3D. None of us were even mildly impaired...at least not from the 3D! [beer]

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Hillary Charles
Jedi Master Film Handler

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From: York, PA, USA
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 - posted 03-23-2010 07:10 AM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
Thank you Frank! [thumbsup] That's exactly how I feel about 3D.

For those who believe 3D is a gimmick, I found this suggestion: If you want to make a movie without ANY "gimmicks," write a book! [Razz]

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Dennis Benjamin
Phenomenal Film Handler

Posts: 1445
From: Denton, MD
Registered: Feb 2002


 - posted 03-23-2010 09:41 AM      Profile for Dennis Benjamin   Author's Homepage   Email Dennis Benjamin   Send New Private Message       Edit/Delete Post 
Isn't it funny that all the things that are fun and enjoyable on this planet are bad for you in some way. It's a f-ing conspiracy!

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Claude S. Ayakawa
Film God

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From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 03-23-2010 11:34 AM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Frank & Hillary, you are my kind of people! [beer]

Frank, in addition to color being a fad, so was sound. Some people hated it at first but both color and sound was perfected and became an industry standard today and so will 3-D. How I wish 3-D survived in the fifties because it was very good.

-Claude

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Joe Redifer
You need a beating today

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From: Denver, Colorado
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 - posted 03-23-2010 12:28 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
So you think that in the near future, 3D will be used on all but the random artsy-fartsy independent picture? And to my knowledge sound is always used even on those types.

Sound and color go hand in hand with the picture. 3D really doesn't. I don't think it can really be compared. A lot of people cannot see proper 3D or can't see it at all, so it does nothing for them. Sure, some people are colorblind or deaf, but those people are outcasts from society and shunned into dark caves where they eat maggots and used toilet paper to survive, but 3D-less people are still allowed to walk our streets by law. Both color and sound add A LOT to any movie. It makes a huge difference. Does 3D? Not really. It is neat to look at when done right, but that's about it. Plus it is super annoying because you are forced to wear glasses which also deteriorate the image quality. If you are watching a movie and suddenly the sound or color goes away, you notice immediately. If the 3D went away during a movie and people were suddenly watching 2D, most wouldn't notice or probably even care.

Plus, you are not paying inflated ticket prices for movies with color and/or sound. So yes, I can see how 3D can be labeled as a gimmick. Get rid of the idiotic glasses, charge the same price and then we'll have this conversation again.

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Monte L Fullmer
Film God

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From: Nampa, Idaho, USA
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 - posted 03-23-2010 12:34 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
quote: Mike Blakesley
The backlash could happen when enough crappy movies get released in 3D and people get the idea they're being screwed with the higher ticket price, hence they then decide not to go to 3D movies anymore
And their already been some of those crappy ones released where the film version did better than the 3D version.

And in some demographic areas, this above statement already holds true: people can't see the logic in paying more to see the same movie that they can pay for less.

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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001


 - posted 03-23-2010 01:35 PM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
I think that color and sound go hand in hand with the picture because for decades that's the way it's been. We're used to it, grew up with it. As Frank and Claude point out, neither sound nor color were originally part of the movies. And initially there was some (audience and/or industry) resistance to those unfamiliar elements when they were slowly introduced. If we had fifty years of consistent 3D entertainment, you'd see people avoiding 2D pictures they way they click past a channel showing black & white content.

Now I do agree that 3D won't become ubiquitous until there's a good way to watch it without glasses. However, I don't mind the glasses. They don't look that bad, and who's looking at you in the movie theater anyway? I just came in from outside, and took off my sunglasses before checking the computer. Sunglasses are a good idea, not just for comfort on a sunny day, but to help prevent cataracts from excessive exposure to the sunlight. Why should wearing similar glasses in order to derive an extra dimension of entertainment be so bad, relatively speaking?

Maybe people will tire of the glasses or not, but I do believe that what could kill 3D this time is all the half-assed "converted" 3D movies like "Clash Of The Titans" coupled with the high surcharge. I doubt people will find it worthwhile to pay so much extra for fakey-looking 3D. It's still 3D, but if it doesn't look quite right, people will notice, even without understanding what's wrong.

For anyone who's familiar with 3D in the 1950s, was there any surcharge, or was it just used to get people back in the cinemas?

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James Westbrook
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From: Lubbock, Texas, Usa
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 - posted 03-23-2010 02:15 PM      Profile for James Westbrook   Email James Westbrook   Send New Private Message       Edit/Delete Post 
When I ran Comin' At Ya through Amityville 3 in the early 80s there was no additional charge on the ticket price for 3D movies.

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Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 03-23-2010 04:14 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
Hillary,

I was about thirteen years old and considered a minor during the 3-D era in the fifties and was living on an allowance my mother gave me and do not think I had paid more for 3-D movies. than regular films. The glasses were not as sturdy as the ones used today and were rather cheap looking. I was not wearing glasses at the time so I had no problem with the 3-D specs. With my senior citizen discount today, I am asked to pay $3.50 more for the glasses when I see a movie in RealD 3-D and Dolby 3-D and about two dollars more for IMAX 3-D. Because IMAX cost more, I am very selective what I see in that format. The last movie I saw in digital IMAX 3-D was AVATAR.

-Claude

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 03-23-2010 06:18 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Hillary Charles
For anyone who's familiar with 3D in the 1950s, was there any surcharge, or was it just used to get people back in the cinemas?
There was no surcharge in the good old days, but 3-D is way more expensive with digital than it ever was back then. Even the "special lenses" used during the last 3-D craze in the mid '80s were only about $2000. With digital you're looking at 10 to 20 times that amount.

What's funny is that back then, 3-D was a gimmick "to get people back to the theatres" but in reality, good stories and good movies did the trick just as well without the gimmicks.

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 03-23-2010 06:22 PM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
That won't work this time as the home can do anything the theater can do just as well if not better.

Anyway Technicolor 3D still has a surcharge on it even though in reality it is only a special lens and a silver screen, just like the 80's. I'd be a lot more receptive of 3D if it weren't for this completely bullshit surcharge.

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Hillary Charles
Jedi Master Film Handler

Posts: 748
From: York, PA, USA
Registered: Feb 2001


 - posted 03-24-2010 07:54 AM      Profile for Hillary Charles   Email Hillary Charles   Send New Private Message       Edit/Delete Post 
Thanks guys for the info. I figured that the difference today is the huge investment for the 3D attachments, far more than anything needed previously for theatrical 3D. It would be nice if once the equipment were amortized, the fee could at least drop down to $1 extra. But I realize that as long as the royalty fees remain, that ain't gonna happen.

Good movies and good stories will always remain in fashion. Money is very tight for us right now, and I've noticed that I can enjoy good drama on the tv set at home, without having to spend $20+ to see it theatrically. 3D gives us a cinema experience not quite possible at home (and if scale is an issue, never really will) and gets us to the movies. Probably like Claude, I've gone to see movies I normally would not have, just to see them in 3D!

Yeah, I went to see "My Bloody Valentine," but stayed home and watched "The Queen." And I enjoyed both very much. I'm probably the exact kind of rube the studios are doing this for! [Razz]

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Mark Gulbrandsen
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From: Music City
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 - posted 03-24-2010 02:48 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
I agree with Claude that 3-D is good however I still prefer the two projector 3-D format... weather it be digital or film... nothing beats two projectors.

Mark

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