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Author Topic: PSYCHO edited version
Jack Theakston
Master Film Handler

Posts: 411
From: New York, USA
Registered: Sep 2007


 - posted 09-27-2010 07:26 PM      Profile for Jack Theakston   Email Jack Theakston   Send New Private Message       Edit/Delete Post 
The hard matte was a last-minute addition by Hitchcock on request of the censors, who were afraid that some projectionists might think they're funny by racking down to Ms. Leigh's rack.

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 09-27-2010 08:16 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Which, of course, we would have too. [Razz]

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Mitchell Dvoskin
Phenomenal Film Handler

Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001


 - posted 10-01-2010 11:59 AM      Profile for Mitchell Dvoskin   Email Mitchell Dvoskin   Send New Private Message       Edit/Delete Post 
quote: Christian Appelt
I once saw a German language print erroneously screened in Academy format, and while it obviously was framed for wide screen projection, the 1.37 area was protected, no lights and no mikes visible. But during the shower scene, a black masking appeared at the bottom of the picture, just in medium shots of Janet Leigh. Maybe to hide her bikini or bathing suit.
The US print is identical in the above regard.

While there are not lights or cameras in the 1.37 frame, if you watch the film at 1.37 you can see a truck driving on a road across from the swamp while the car is sinking. There are a few other things masked out at 1.85, but they escape me at the moment. Nothing bad like North By North West, where you can see the soundstage lights at the bottom of the picture as Cary Grant climbs up the support girder at the Frank Loyd Wright house.

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