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This topic comprises 2 pages: 1 2
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Topic: Non action/sci/sfx films with excellent 5.1 sound mixes
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Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002
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posted 11-11-2010 01:14 PM
quote: Tom Petrov just curious about which movies might have them
Okay, so does it matter if it's not the original mix?
I'm sure you already know that the home-video release frequently features a "new 5.1" re-mix. Are you simply testing/enjoying your system, or are you looking for examples of surround use in original mixes? If you're just geeking out then it might not matter much to you but if you're conducting some kind of "study" then it might matter more, depending on the scope of what you're studying (original theatrical, and/or re-release, and/or home-video releases).
Even if the film was not remixed, many home-video masters are dynamic-range compressed because (until digital) there wasn't enough headroom in home-video formats. So, depending on the age of the h-v master, there may still be a different in at least that one respect.
Not that these guidelines were always followed, but Lt/Rt mixers shied away from doing too much with the surrounds. They were usually reserved for ambiences -- the static bed of background noise (crickets, cicadas or light wind, for example).
Occasionally, a "hard effect" might get placed there but "steering" issues (and the fact that the surround array was mono) limited how much surround panning could be done.
Of course there are older movies that were given the 70mm treatment -- and, thus, had discrete physical tracks to work with -- so those print masters could appear on the DVD release.
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Tom Petrov
Five Guys Lover

Posts: 1121
From: El Paso, TX
Registered: Jan 2003
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posted 11-12-2010 12:24 AM
quote: Manny Knowles Okay, so does it matter if it's not the original mix?
I'm sure you already know that the home-video release frequently features a "new 5.1" re-mix. Are you simply testing/enjoying your system, or are you looking for examples of surround use in original mixes? If you're just geeking out then it might not matter much to you but if you're conducting some kind of "study" then it might matter more, depending on the scope of what you're studying (original theatrical, and/or re-release, and/or home-video releases).
Even if the film was not remixed, many home-video masters are dynamic-range compressed because (until digital) there wasn't enough headroom in home-video formats. So, depending on the age of the h-v master, there may still be a different in at least that one respect.
Not that these guidelines were always followed, but Lt/Rt mixers shied away from doing too much with the surrounds. They were usually reserved for ambiences -- the static bed of background noise (crickets, cicadas or light wind, for example).
Occasionally, a "hard effect" might get placed there but "steering" issues (and the fact that the surround array was mono) limited how much surround panning could be done.
Of course there are older movies that were given the 70mm treatment -- and, thus, had discrete physical tracks to work with -- so those print masters could appear on the DVD release.
I am just curious what other quiet non action movies really use the surrounds. It makes no difference to me if the mix is re-mixed. I was just shocked by Any Which You Can.
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