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This topic comprises 3 pages: 1 2 3
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Topic: 4K Digital Comparison
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Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002
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posted 01-31-2005 09:42 PM
The current issue of Cinefex magazine, in celebration of its 100th issue (25 years) has a lengthy article on the current state of the art in film effects technique and technology. Though not the main thrust of the article, special effects supervisor Richard Edlund had some interesting comments about digital projection: quote: "The Digital Cinema Initiative...has been doing test screenings at the Pacific Theatre...the DCI and the ASC produced a short film that had all the extremes of photography - a wedding taking place in the afternoon, with the white lace and the black suit, smoke and backlighting, and the bald blue sky. It was shot with Super 35, anamorphic, and 70mm and scanned at 6K, and downrezed so it could be projected at 2K with the answer print running on the other side of the screen. And it was about equal. Film was maybe a hair sharper. But the digital color was dead on, and it had no scratches. In that sense, it was superior. And keep in mind that we were comparing digital projection to answer print, which audiences never see. They always see a dup.
Cinefex: And that was at 2K?
Edlund: Yes. The next thing we saw was a simulated 4K projection where they had two TI projectors stacked on one side of the screen. So half of the screen was 4K and on the other side of the screen was film. And the 4K was incredibly sharp. Sharper than film. I was really knocked out by that. 4K has to be what is focused on in the theater. 2K is not enough."
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