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This topic comprises 3 pages: 1 2 3
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Author
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Topic: 3D spinning disk
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Julio Roberto
Jedi Master Film Handler
Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008
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posted 02-08-2009 09:28 AM
quote: Mark Gulbrandsen No, we didn't use Colorlink... we used the xcompany that makes the polorizer film they use. There are but two polorizer film manufacturers in the States. A couple of other manufactuyrers use the silver deposited method and the filters they produce are not very large but can take tremendous heat levels.
Oh, I assumed, since you said you were using the company that did "RealD's". My mistake, sorry. But, unless half a dozen have closed recently, there are more than 2 manufacturers of film polarizer in the US, although indeed lately 90% of them are in Asia.
If you used iodine polarizers, they will indeed inmediately degrade if they ever reach 90ºc. If you used dyes, a bit more, like 110ºc, which, of course, they will never ever reach .
http://www.apioptics.com/3d-projection-filters.html
But, besides metal deposited wire grids or reflective types, there are other dichroic, inexpensive, commercially available film polarizers that are virtually "indestructable" and basically inmune to the browning or fading or yellowing or decay of iodine or dye based ones and don't need some of the optical stack that colorlink's uses for the glass lamination. Actually they are so stable and inert to enviroment and luminous flux they don't need lamination at all.
Similar to this one by 3M, currently the largest US sheet film polarizer manufacturer:
http://solutions.3m.com/KEPolarizer/
As you know, LCD and Lcos projectors, such as Sony's DCinema projector, use polarizers basically the size of their imaging chip/prism assembly (i.e. 1"x1") and still take all the continous luminous flux for years (of each primary color, but still like the equivalent to >1Kw xenon, in less than an square inch i.e.)
Of course, always important to keep UV/IR filters/dichroic reflectors in shape on high-power projectors to protect the rest of the optical system from unnecessary wear.
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Julio Roberto
Jedi Master Film Handler
Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008
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posted 02-09-2009 02:27 PM
Mark,
I just got a quote from a supplier to custom make circular projection filters we talked about.
4.2mm, glass, AR, circular, 6"x6", quantity of 5 minimun order, with a frame in acrylic to help mount them, $95 each.
2.2mm glass would be $85.
You could buy the whole raw glass panel, 707x721mm (aprox. 28x29 inches) for $150 square meter (aprox. $60 for the panel) and cut it, seal it and frame it yourself.
Shipping would be extra, of course, from china.
As you can see, no need for them to be too expensive. Factor 50% discounts if you order large-ish quantities.
Circular paper glasses $0.50/ea for 2000 pieces. Plastic "theme park style" (reusable) $0.75/ea for 720 pieces.
Once again, shipping and custom taxes etc from china extra.
I won't even bother quoting prices for linear (instead of circular) polarizer filters or glasses. They are ridicuosly low. Almost half those of circular.
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Julio Roberto
Jedi Master Film Handler
Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008
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posted 02-09-2009 09:11 PM
quote: Sorry Julio, I buy as little as I can from China. My motto is "Be American - Buy American!
Your secret is safe with me, Mark . We won't tell that to Master Image, NEC, Barco, Dolby/Infitec, Cinemeccanica, Prevost, Harkness, Sony, Konica, Schneider, Isco, Osram, Irem ...
Doesn't Christie make most of the stuff in Canada?
Just kidding
PD: I know some non-US companies have factories set up in the USA as well ... I'm just joking around, that's all. We don't pre-judge here in Europe and believe in the free market, so we don't mind buying american (or korean or european or chinese, for that matter). Whatever is good and priced right. Or bad but dirt-cheap. Or expensive but incredibly good. Unfortunately most of our stuff around here in Europe is good-but-not-great and priced like if it was made out of gold.
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