Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Imax Digital (Page 8)

 
This topic comprises 8 pages: 1  2  3  4  5  6  7  8 
 
Author Topic: Imax Digital
Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001


 - posted 12-21-2008 02:00 AM      Profile for Bobby Henderson   Email Bobby Henderson   Send New Private Message       Edit/Delete Post 
quote: Julio Roberto
Well, if you do the math, 2K is close (but not quite there) to the limit of resolution people can see from a reasonable distance from the screen (i.e. back rows in most traditional movie theaters).
You would be surprised what kinds of details you can see from a significant distance. There's a lot of push and pull in there, but not so much that you can get away with HDTV quality on a screen that's trying to fill a great deal of the viewer's peripheral vision.

In a good sized living room, the differences between 1080p and 720p become difficult to distinguish when the HDTV monitor is some unit 40" or smaller and you're watching it from around 10' or more in distance. It's a lot more to ask with a screen that displays the image on a much larger scale.

quote: Julio Roberto
I wonder if digital IMAX's secret for wonderful images (I have yet to see them) that reportly look of "higher resolution than 2K" while using "plain old" 2K projectors could come from a fine tuned micro perforation pattern ...
I'm thinking it's a lot of bullshit.

I'm certainly not willing to sign off on some process either 2K or not much above it for giant screen use without seeing it for myself. Even not having experienced "IMAX Digital" yet I sort of know what to expect from doing a good bit of giant sized image design work myself. Since I've already seen a good bit of 2K D-cinema content, I can easily say that pixel grid is plainly visible when sitting in the first few rows of a modest sized auditorium. And I'm talking about something under 200 seats.

IMAX had better keep its 15/65 cameras and 15/70 projectors running or its business will be dead. This whole "digital" deal is some tangent that really isn't going to do them any favors.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 8 pages: 1  2  3  4  5  6  7  8 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.