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Author Topic: Definition of "dual digital"?
Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 02-27-2013 04:34 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
quote: Manny Knowles
Next question: Do all dual systems use a beam splitter?
No. Most simply try to position both projectors as close together as possible to minimize parallax between the two lenses.

Keystoning is not such a big issue, since both lenses support lens-shift, thus, there is little to no keystoning.

The Christie Duo solution is the only 'off-the-shelf' self-adjusting beam-combiner solution that I know of.

Most manufacturers only sell special rigs that allow two or more projectors to be stacked more easily.

IMAX uses an electromechanical shift system as well. I once heard it would shift the whole projectors in 2 or 3 axes - but I guess that is a misconception. Some IMAX theatres I believe have a rail system that allows a switch between 15/70 and digital IMAX.

It doesn't make sense to have an electromechanical shift device for a 200kg projector when the motorized lens shift and electronic pixel shift can achieve exactly the same.

If you do a Google picture search for 'imax dlp' you will find a few images showing a pair of more or less standard DLPs side-by-side in fancy IMAX branded housings.
I have an IMAX digital operations manual which explains that there is a camera mounted between both projection ports, it measures picture adjustment data each day from a calibration image and adjust the overlapping through a so called 'Image Enhancer'. An interesting aspect of the digital IMAX projection system is that is has NO motorized focus.

And of course, they ARE thinking about 4k:

http://www.daveonfilm.com/how-the-imax-version-of-skyfall-was-created-10519.html

- Carsten

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