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» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Wisconsin drive-in goes digital (Page 4)

 
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Author Topic: Wisconsin drive-in goes digital
Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 05-25-2011 06:10 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote: Mike Frese
Add the $800 or so VPF to that $150
They're certainly not paying that to everybody. The average VPF, if you divide it over the whole number of digital prints, has to be much lower.

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 05-26-2011 04:01 AM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
It actually is around 800.00

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Chad Bateman
Film Handler

Posts: 16
From: Salt Lake City Ut, USA
Registered: Dec 2010


 - posted 06-14-2011 12:12 PM      Profile for Chad Bateman   Author's Homepage   Email Chad Bateman   Send New Private Message       Edit/Delete Post 
In Relation to the drive-in going digital topic, one of my customers is hoping to convert his Single DI to Digital. I was hoping that someone knew a good way to run sound from 5.1 digital to a basic 2 channel Analog? I am wondering if using a CP-750 with a JSD-80D would work to tie everything to the FM transmitter. Thanks for any help!

Chad

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Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 06-14-2011 12:53 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
I thought we lost the Spud. Louis

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 06-15-2011 04:57 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Hi Chad...

To feed a drive in transmitter you are going to have to develop something along the lines of a LT / RT signal by mixing the 5.1 back together. No need for a full blown processor except for a D to A such as the DAX 602. A small inexpensive Mackie mixer should do the trick and they are very reliable and quiet on line input. Since 5.1 D-Cinema is uncompressed some sort of limiter... either seperate or built into the transmitter... might be necessary so you don't bury the dialog or over-modulate the transmitter. Not all the transmitters commonly being used have built in limiters.

quote: Louis Bornwasser
I thought we lost the Spud. Louis


Louis, I am pretty sure the Spud is done... at least until the economy get considerably better. That whole area of Idaho has to compete directly with Jackson, WY. Something thats all but impossible to do. Jackson has 3 theaters with 7 screens. It's where the people that live near the Spud go to shop, dine, etc. (Or Idaho Falls which has even more theaters/screens, restaurants, stores, etc.) It's a nice area but not accomodating to movie theaters.

Mark

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Monte L Fullmer
Film God

Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004


 - posted 06-18-2011 09:23 PM      Profile for Monte L Fullmer   Email Monte L Fullmer   Send New Private Message       Edit/Delete Post 
Can one use a Barco DP32 to hit a screen 175 ft away and a screen width of 90 feet, or is the need of a closer booth in store?

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