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Author Topic: TI ICP card
Danial Simmonds
Expert Film Handler

Posts: 107
From: Kota Damansara, Selangor, Malaysia
Registered: Jan 2008


 - posted 11-17-2011 12:10 PM      Profile for Danial Simmonds   Author's Homepage   Email Danial Simmonds   Send New Private Message       Edit/Delete Post 
Is it normal for the status to go red on the Powergood 1v2 2v5 ?
I heard its posibly a software bug, any idea?

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Dave Macaulay
Film God

Posts: 2321
From: Toronto, Canada
Registered: Apr 2001


 - posted 11-17-2011 08:47 PM      Profile for Dave Macaulay   Email Dave Macaulay   Send New Private Message       Edit/Delete Post 
"IS ANYBODY HAVE PROBLEMS WITH THIS CARD"
Excellent question.
First, they must have bad connectors: the universal fix for any TI based D-Cinema projector problem seems to be "reseat the ICP card", which always progresses to "physical marriage"... an intriguing idea. That means, with Barco, trying to find the Dallas key that has either been misplaced or is hidden somewhere in the projector base. You can, if wisely prepared for this eventuality, try to read the microfont numbers off the key you "misplaced" into your pocket in preparation for the day you need one at that single house in the middle of nowhere.
And you should occasionally upgrade the firmware: nobody has managed to explain to me why this is needed when the projector is working just fine as is, but it's fun to "load firmware to slot" which is, again, an intriguing idea. Of course, if you have 2.1 or a previous version running, you get to either load a few entire intermediate versions or a "load me first" version before finally loading the current version. With Christie you ignore a series of "critical" and "fatal" errors - a treat for the scofflaw. Or you forget to read the release notes, load the new version without the intermediate one(s), and win a few fun hours downloading and installing various "recovery packages" to get you back to where you started before attempting the apparently pointless upgrade.
No, I hasn't have problems with this card.
The problem is with the whole security model embraced by the industry. We are all assumed to be crooks, pirates, and schemers. Instead of the time tested open standard media that will show on any projector made since about 1929, we now get top secret, watermarked, encrypted, and time-locked data that you can only play once you've bought a hundred grand worth of equipment that will be obsolete long before you've paid for it. This is to eliminate those pesky pirate movie DVDs you can buy just about anywhere - the ones that are very nice quality, thank you, and appear before the damned movie ever opened in an actual theatre where anyone could have taped it.
Has anyone ever been apprehended using the watermarking? Has anyone ever actually cracked the FIPS140-2 level 2 board that we had to replace with a $$$ FIPS140-2 level 3 board? Have these people been watching too many movies?
Of course you can sign up for someone else to pay for the new obsolete equipment. - if you have 3+ screens and a minimum 2 shows a night - but they'll be watching every minute of every day and if you run a test show to make sure everything is OK before your sold-out premiere you will have to explain why... and don't dare to make a few bucks with video game parties or satellite events without paying them a small fortune to use their projector.
I do kinda miss changing projector oil and reversing sprockets. Life was so much simpler.

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Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 11-17-2011 11:22 PM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
I think Dave has said it all and said it best.

I hereby nominate Dave to the Andy Rooney Curmudgeon in Chief slot.

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Eric Robinson
Jedi Master Film Handler

Posts: 538
From: Santa Rosa, CA
Registered: Jan 2005


 - posted 11-18-2011 11:04 AM      Profile for Eric Robinson   Email Eric Robinson   Send New Private Message       Edit/Delete Post 
Dave gets a second nomination from me.

That was a masterful rant.

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Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 11-18-2011 01:50 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
Hear, hear

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Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 11-18-2011 07:07 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
I totally agree! I hate those dam BARCO keys as much as I hate getting a KDM from Dolby just to do a firmware upgrade. Total nonsense in this day and age that serves absolutely no purpose...

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 11-18-2011 09:09 PM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
As for the Dallas key...the reason I was told was that it ensures that a person has to be present to clear as security breach rather than remotely correcting a security problem. I'm not saying I agree with it.

We literally chain them to the pedestal...you won't loose them. I also carry one of my own with me.

As for Dolby's KDMs...it so they can control their software and actually charge for updates that have feature enhancements. Again, you don't have to agree with the notion put it IS their software and expense for adding features and they feel they should charge for them to offset the cost of keeping people working on the software. Whereas one gets 3-years of software updates with the purchase of the units, one can't claim that bug fixes are not covered and one often gets a boat load of software updates in that time with feature enhancements.

-Steve

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