Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » mono sound on DCPs of (older) Universal Studios titles (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: mono sound on DCPs of (older) Universal Studios titles
Jonathan Goeldner
Phenomenal Film Handler

Posts: 1360
From: Washington, District of Columbia
Registered: Jun 2008


 - posted 04-07-2012 09:11 PM      Profile for Jonathan Goeldner   Email Jonathan Goeldner   Send New Private Message       Edit/Delete Post 
for a company who can't even transfer it's catalog titles on bluray properly why does this problem not surprise me in the least.

 |  IP: Logged

Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 04-08-2012 11:59 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
The article from the link actually ends up saying that ZOOT SUIT wasn't a real Sensurround movie.

The DCP tracks exercise the subs tho. [Smile] I thought it sounded great.

(BTW, there's some obvious ADR going on, so don't panic if your dialogue sometimes goes out of sync.)

 |  IP: Logged

Lincoln Spector
Film Handler

Posts: 46
From: Albany, CA, USA
Registered: Mar 2012


 - posted 04-16-2012 07:22 PM      Profile for Lincoln Spector   Author's Homepage   Email Lincoln Spector   Send New Private Message       Edit/Delete Post 
quote: Jesse Skeen
I've never understood why most mono films on DVD and Blu-Ray have been done with 2-channel Dolby Digital tracks which play through the center if you have Pro-Logic enabled. A few do it correctly with just one center channel encoded and nothing else.
In the early days of DVD, I interviewed a Dolby engineer for an article on...I don't remember.

After I'd finished getting the info I needed, I asked if he would answer an unrelated question. When he agreed, I asked about that very thing: Why most "mono" tracks are technically 2-track stereo.

He laughed and said "Because they don't get it."

Lincoln

 |  IP: Logged

System Notices
Forum Watchdog / Soup Nazi

Posts: 215

Registered: Apr 2004


 - posted 10-05-2013 04:27 PM      Profile for System Notices         Edit/Delete Post 

It has been 536 days since the last post.


 |  IP: Logged

Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 10-05-2013 04:27 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
Related:

"70mm" DCP's and their formatting.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.