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» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Doremi control of CP500 (Page 2)

 
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Author Topic: Doremi control of CP500
Francois Bouzigues
Film Handler

Posts: 19
From: Barcelona / Spain
Registered: Dec 2013


 - posted 12-16-2013 09:38 AM      Profile for Francois Bouzigues   Email Francois Bouzigues   Send New Private Message       Edit/Delete Post 
Yes, you are quite right. You should use a dB meter to make sure your levels are ok. But still, many theater will find it useful.

It seems the doremi gets the attenuation perfectly, and the amplification not that well.

I have used it in several sites. Never had a complaint.

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Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 12-16-2013 01:45 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
It's a very useful option, especially since most sites will be okay with just a bit of attentuation for the preshow stuff.

- Carsten

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Christian Hove
Film Handler

Posts: 41
From: Aalborg, Aalborg, Denmark
Registered: Jan 2012


 - posted 03-21-2014 09:05 AM      Profile for Christian Hove   Email Christian Hove   Send New Private Message       Edit/Delete Post 
Just a follow-up on Ray Derrick's very helpful description of the CP500 control protocol (thank you Ray).
I have experimented with a CP500 and did not succeed to calculate the last byte (checksum) correctly using modulo 255 sum (maybe I'm doing it wrong).
However, if I truncate the sum of the first 5 bytes to 8 bits and invert those 8 bits, I get the same number as the CP500 reports.

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