Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Can we now revise downward the cost of digital conversions? (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Can we now revise downward the cost of digital conversions?
Manny Knowles
"What are these things and WHY are they BLUE???"

Posts: 4247
From: Bloomington, IN, USA
Registered: Feb 2002


 - posted 03-12-2013 05:15 PM      Profile for Manny Knowles   Email Manny Knowles   Send New Private Message       Edit/Delete Post 
I don't want to jinx myself, but our 650 stopped misbehaving -- We may have replaced the digital I/O card -- I don't remember now.

 |  IP: Logged

Joris Springer
Film Handler

Posts: 83
From: Almere, Flevoland, The Netherlands
Registered: Feb 2007


 - posted 03-12-2013 05:31 PM      Profile for Joris Springer   Email Joris Springer   Send New Private Message       Edit/Delete Post 
Talking about the Dolby 650, lets dump it and replace it with a horrible AP20, isn't that a good idea? (sorry, I really really really hate my AP20's because so far they sound horrible!!!)

When we opened we had 3 booths with 35mm combined with digital (the other 5 booths were just 35mm). The booths with digital projectors were running perfectly on a Dolby CP650, no extra boxes in the rack, no problems at all (combined with a Barco DP100 and DP90)

However, since we went completely digital all booths recieved an extra Doremi Aud D2A box (which we did not need before)

And when you compare the sound of the Ap20 to the Cp650 you realize why the CP650 is so much more expensive compared to the AP20. We have it in 2 booths and compared to the booths with the CP650 the AP20 is blown away every time. Sure the Ap20 has HDMI inputs but the Barco projectors send it these days directly to the CP's which allows you to dump a cable and save some money ;-).

 |  IP: Logged

Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 03-12-2013 05:44 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Joris, did the same tech calibrate the 650s as the AP20s?

I'll bet anything two different techs set those up and that is mostly what you are hearing. The tech performing the B-chain can kill the sound if he/she doesn't truly have the skills.

 |  IP: Logged

Joris Springer
Film Handler

Posts: 83
From: Almere, Flevoland, The Netherlands
Registered: Feb 2007


 - posted 03-12-2013 05:54 PM      Profile for Joris Springer   Email Joris Springer   Send New Private Message       Edit/Delete Post 
Well the person who set up the CP650 was one of the technicians from a different company who had a THX certificate but that was when we were running 35mm and in 3 booths combined digital. Once we went digital they were done by someone else however I dont know if it was the same person who also installed the AP20's, all I know is that you can hear a big difference in the booths with an AP20 and the once with a CP650 at the moment (again since the AP20's have already been replaced due to bad audio).

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.