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» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Doremi Accesslink and HI sources (Page 2)

 
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Author Topic: Doremi Accesslink and HI sources
Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 01-19-2014 12:20 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
When the attendant issues the receiver
What attendant?

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-20-2014 05:51 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Person selling/issuing/taking the ticket.

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Joe Elliott
Master Film Handler

Posts: 497
From: Port Orange, Fl USA
Registered: Oct 2006


 - posted 01-20-2014 09:03 AM      Profile for Joe Elliott   Email Joe Elliott   Send New Private Message       Edit/Delete Post 
If theaters are required to have HI equipment in 20% of their theaters, I believe Hollywood should be required to put the HI track on 100% of their DCP's. Or at least 100% of their features.

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Jim Cassedy
Phenomenal Film Handler

Posts: 1661
From: San Francisco, CA
Registered: Dec 2006


 - posted 01-20-2014 09:56 AM      Profile for Jim Cassedy   Email Jim Cassedy   Send New Private Message       Edit/Delete Post 
quote: Steve Guttag
When the attendant issues the receiver, they merely select what theatre it is for and that sets the frequency for
Hahahaha. You really think the average theater attendant can do this?
Most of the ones I encounter lately would have trouble figuring out how
to change a roll of toilet paper.

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 01-20-2014 10:54 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
Joe...it isn't going to be 20%...it is going to be 100% of theatres and enough headsets for 4% of seating capacity. I don't know of any/many Hollywood features that don't have HI/VI-N tracks now. Previews are another story.

As for a person capable of issuing the equipment properly configured...that is the theatre's problem. That said, I agree on the IR approach being the best way from a new install except for singles.

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Joe Elliott
Master Film Handler

Posts: 497
From: Port Orange, Fl USA
Registered: Oct 2006


 - posted 01-20-2014 11:17 AM      Profile for Joe Elliott   Email Joe Elliott   Send New Private Message       Edit/Delete Post 
There are still a number of features that have VI only. You would think they would add HI first and foremost, because it is the easier of the two to do, but they don't. It is getting better.

As for the 100%, I didn't know the bill last year actually passed. There was a lot of press coverage last fall, but I don't find a single blurb about the outcome.

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