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Author Topic: cinema screen size to small?
Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 04-02-2016 07:13 AM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
There are small screens like this that receive praise from patrons and are sold out every night. However, only after having spent a decent amount of money into a club-like surrounding, chairs, not as shown just the bare essentials. It is not the screen size that makes a cinema worth attending. Of course, even with a luxury outfit, it will always be a niche. And even if you can charge twice or three times as much for tickets, you will only be able to sell maybe 20 to 30 per show...

- Carsten

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Mark Ogden
Jedi Master Film Handler

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From: Little Falls, N.J.
Registered: Jun 99


 - posted 04-02-2016 08:52 AM      Profile for Mark Ogden   Email Mark Ogden   Send New Private Message       Edit/Delete Post 
A screen that size can make reasonable bank playing exclusive runs of art/alternative/foreign/repertory titles where the audience doesn’t expect or need the whole big-screen experience, and is just happy for the ability to see the picture at all. Nobody in their right mind would go there to see Star Wars or Batman v. Superman, but you may just go to see Mountains May Depart, or Cemetery of Splendor, or Embrace of the Serpent, or any other obscure, low distribution title.

In New York City, the enormously popular Film Forum has some screens that are not much larger than the one in the above picture (which for the record is Screen #2 at the Four Star Cinema on Clement Street in San Francisco). Nevertheless, the audience that the theatre gets doesn’t mind, because the kind of programming they show doesn’t lend itself to the whole PLF/IMAX/AMCPrime/RPX/Atmos/DolbyVision thing anyway. I saw the shot-on-16mm Carol on a screen just a little larger than this, and it worked fine. You wouldn't want an immersive big-screen experience for something like that anyway, it would probably even work against the picture given the intimate content.

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Marcel Birgelen
Film God

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From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 04-04-2016 04:33 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
To me, it's not really the screen size that matters, it's the field of view that's covered which counts most. Theater geometry matters much more than size. An unobstructed view at the screen is also very important as is a comfortable viewing position. Nobody likes to raise their head for two hours or more.

Most people have a hard time guessing how big a screen actually is. IMAX figured that one out, they design their theater geometry to make their screens look bigger than they actually are.

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Gordon McLeod
Film God

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From: Toronto Ontario Canada
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 - posted 04-04-2016 04:50 PM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
The name IMAX stands for Image Maximization

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Mike Schulz
Expert Film Handler

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From: Los Angeles, CA
Registered: May 2007


 - posted 04-04-2016 06:27 PM      Profile for Mike Schulz   Email Mike Schulz   Send New Private Message       Edit/Delete Post 
quote: Mark Ogden
Here is an actual US cinema auditorium that does a fair amount of business. Will it be any smaller that this?

Holy crap! That has to be the Los Feliz 3. It used to be a single screen theatre that got butchered into a 3-plex in the 90's according to Cinema Treasures. I saw a screening in a room that looked exactly like this picture and it was quite hilarious. I think it was Atonement so it's been a while since I was there. They were also running mono+surround DTS so that just made the experience so much more incredible. Anyway, I hope your room doesn't turn out like that, it was pretty awful. It was extremely narrow and they had to put the screen way up high so it could go above an exit if I remember correctly.

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Mark Strube
Master Film Handler

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From: Milwaukee, WI, United States
Registered: Feb 2007


 - posted 04-05-2016 07:19 PM      Profile for Mark Strube   Author's Homepage   Email Mark Strube   Send New Private Message       Edit/Delete Post 
Mono + Surround DTS? How strange. So does that mean it's a DTS soundtrack with the 3 front channels collapsed to one mono channel?

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Marcel Birgelen
Film God

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From: Maastricht, Limburg, Netherlands
Registered: Feb 2012


 - posted 04-06-2016 04:02 PM      Profile for Marcel Birgelen   Email Marcel Birgelen   Send New Private Message       Edit/Delete Post 
If you design your auditorium like a tunnel, you probably are not helping anybody by adding more than a single front speaker.

As a bonus to the experience, you might want to hand out some of those classy binoculars.

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Mike Blakesley
Film God

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From: Forsyth, Montana
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 - posted 04-06-2016 11:16 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I remember arguing with my old business partner about that. He didn't think our screen/auditorium was wide enough to warrant stereo sound. (The screen is 30 feet and the auditorium's about 32 feet wide.) He said, "you won't even be able to tell it's stereo unless you're sitting in the front half." So after he was gone I went ahead and put the stereo in and proved him wrong.

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Louis Bornwasser
Film God

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From: prospect ky usa
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 - posted 04-11-2016 04:20 PM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
There is no shame in refusing to build a crappy cinema. There IS shame in paying for and building a room that you know in advance is low grade. All of your rooms will be judged by the bad ones. Consider your reputation.

The best seat has always been defined as 1.5 times the width in scope. Where do you want that to be? The front row? The back row? I always liked it to be about 3/4 of the way back. In a 100 foot room, a 50 ft screen would put the best seats at 75 feet.

Usually for film it was 85mm on the scope lens.

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Lyle Romer
Phenomenal Film Handler

Posts: 1400
From: Davie, FL, USA
Registered: May 2002


 - posted 04-12-2016 05:37 AM      Profile for Lyle Romer   Email Lyle Romer   Send New Private Message       Edit/Delete Post 
quote: Marcel Birgelen
Most people have a hard time guessing how big a screen actually is. IMAX figured that one out, they design their theater geometry to make their screens look bigger than they actually are.
You can get a pretty accurate guess by counting the ceiling tiles and noting the orientation. I guess a lot of people don't pay attention to the standard ceiling tile sizes.

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Justin Hamaker
Film God

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From: Lakeport, CA USA
Registered: Jan 2004


 - posted 04-12-2016 12:46 PM      Profile for Justin Hamaker   Author's Homepage   Email Justin Hamaker   Send New Private Message       Edit/Delete Post 
quote: Marcel Birgelen
To me, it's not really the screen size that matters, it's the field of view that's covered which counts most.
My thoughts exactly. My feeling is the screen size relative to the auditorium should be such that when sitting in the middle of the auditorium I can view the entire screen without having to turn my head side to side, but the screen will pretty much fill my field of view. The problem with the picture on page one isn't so much the screen size as the distance from the screen for some of those seats.

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Gary Lightfoot
Film Handler

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From: Caterham, Surrey, UK
Registered: Apr 2015


 - posted 04-21-2016 05:45 AM      Profile for Gary Lightfoot   Email Gary Lightfoot   Send New Private Message       Edit/Delete Post 
THX recommends that the furthest seat be no more than 3.68 x the screen height (of a scope screen), which gives a 36 degree horizontal viewing angle. They say that a 26 degree viewing angle is the furthest acceptable.

This diagram is often used and shows many of the recommended seating/viewing recommendations along with screen height relationship and horizontal viewing angles.

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