Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Digital Cinema Forum   » Digital Cinema Audio 101 (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Digital Cinema Audio 101
Sean McKinnon
Phenomenal Film Handler

Posts: 1712
From: Peabody Massachusetts
Registered: Sep 2000


 - posted 01-30-2018 06:58 PM      Profile for Sean McKinnon   Author's Homepage   Email Sean McKinnon   Send New Private Message       Edit/Delete Post 
Thank you Harold. We have plenty of JSD 80's and 100's out there. They have been good solid reliable peices of equipment and a good value for our customers!

 |  IP: Logged

Harold Hallikainen
Jedi Master Film Handler

Posts: 906
From: Denver, CO, USA
Registered: Aug 2009


 - posted 01-30-2018 07:17 PM      Profile for Harold Hallikainen   Author's Homepage   Email Harold Hallikainen   Send New Private Message       Edit/Delete Post 
It was definitely a DCP. There was a report to ISDCF on how it played in theaters (not that well - Not all theaters supported 96k).

 |  IP: Logged

Carsten Kurz
Film God

Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009


 - posted 01-30-2018 07:25 PM      Profile for Carsten Kurz   Email Carsten Kurz   Send New Private Message       Edit/Delete Post 
I think many servers and sound processors are configured to downsample 96kHz to 48kHz anyway.

- Carsten

 |  IP: Logged

Harold Hallikainen
Jedi Master Film Handler

Posts: 906
From: Denver, CO, USA
Registered: Aug 2009


 - posted 01-30-2018 07:30 PM      Profile for Harold Hallikainen   Author's Homepage   Email Harold Hallikainen   Send New Private Message       Edit/Delete Post 
True, but apparently some could not handle it. IMBs are required to be able to pass data through transparently (same sample rate as content) and up or down convert. USL digital processors (at least JSD-100, JSD-60, and maybe JSD-80) do all processing at 96k and have sample rate converters on the inputs to handle other sample rates (like 48k).

Harold

 |  IP: Logged

Louis Bornwasser
Film God

Posts: 4441
From: prospect ky usa
Registered: Mar 2005


 - posted 02-07-2018 09:22 AM      Profile for Louis Bornwasser   Author's Homepage   Email Louis Bornwasser   Send New Private Message       Edit/Delete Post 
Martin: Right Stuff was a dts master and had dialog "issues" in the theatre even on dts.

As for the greater HF, Ii is improbable that anyone could discern this. We have a hard enough time getting 15KHz into medium to large rooms now; hence the need to roll off the B chain. HF content does not excite the air molecules as well as LF content does. I am assuming that the cinema involved has the very best speaker and amps. Could matter in a small screening room, however.

 |  IP: Logged

Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-07-2018 10:32 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
Right Stuff was released in 1983 according to IMDB and also my aging memory. That predates DTS by a quite a long time, no?

Maybe Louis is thinking of another flick.

 |  IP: Logged

Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002


 - posted 02-07-2018 07:11 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
Sam is correct. The Right Stuff premiered on 10/21/1983 and was shot in 35mm spherical Panavision. The 70mm prints were 1.85:1 and were Dolby 6-track mag.

The first DTS film was Jurassic Park, released in June of 1993, almost ten years later.

If there were DTS prints of "The Right Stuff", it was for a revival. Perhaps there was one when the Blu-ray was released in November of 2013.

 |  IP: Logged

Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-07-2018 08:57 PM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
I did not recall it being 1.85 but for sure the rest as I did some of the research previews as it was a largely SF production. Sat thru the 180 or so minute production at least 3 times. Enjoyed it every time and was sure disappointed when it did not do well at the box office.

 |  IP: Logged

Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-07-2018 09:00 PM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
I did not recall it being 1.85 but for sure the rest as I did some of the research previews as it was a largely SF production. Sat thru the 180 or so minute production. Enjoyed it every time and was sure disappointed when it did not do well at the box office.

 |  IP: Logged

Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 02-08-2018 06:12 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
The 70mm prints were definitely 1.85. At the time, it was one of the longest (no intermission) 70mm prints and BARELY fit on an AW370.

 |  IP: Logged

Sam D. Chavez
Film God

Posts: 2153
From: Martinez, CA USA
Registered: Aug 2003


 - posted 02-08-2018 09:39 AM      Profile for Sam D. Chavez   Author's Homepage     Send New Private Message       Edit/Delete Post 
Agreed. It's just a comment on my memory after all the work I did around that film.

I don't usually remember wrong, just don't remember at all.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.