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This topic comprises 3 pages: 1 2 3
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Topic: NC1200C issue
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Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
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posted 02-16-2018 10:20 AM
I would not be too nervous, but you definitly need to bring the Enigma up to date. There is no reason not to update the NEC to something in the 4.217 to 4.219 range.
Somehow your business must be prepared for being down one or two days at least, because something simply breaks some day. As the internal router turns out to be a common point of failure, just get one to be on the safe side. Did you ever reseat boards, clear a security tamper yourself, perform a remarriage? If not, 'Id say make yourself familiar with these procedures so you can fix minor issues on your own.
For a DSS200 and with a series 2 projector, I see no reason not to switch to 4.9. Yes, 4.8.x had quite a few glitches, but if you want to screen current and future DCPs, you should update. SMPTE is definitly coming, they won't stay with Interop. No need to hurry with the DSS upgrade, though, you can easily wait until a solid 4.9 version is communicated through this forum (it appears though that 4.9.0.96 is quite usable).
However, staying on Enigma 1.6 is a real risc. You are really lucky it did not hit you already. At a certain point in time, that would have taken your screen down for more than 1 or two days, and it would have been an expensive repair as well.
- Carsten
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Steve Kraus
Film God

Posts: 4094
From: Chicago, IL, USA
Registered: May 2000
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posted 02-16-2018 10:59 AM
No, not counting the lamphouse, I've never been inside at all except the front when I changed the connection to put electronics on an an IEC cord so it can run on a fulltime UPS for filtration purposes. There was security reset of some sort for that.
Yes, if I'm down, I'm down and the clients (the studios & their publicists) would book elsewhere. Worst of all would be a show that fails while underway while second worst would be a projector that doesn't start when people are on their way. I'm usually starting up an hour or two before showtime.
The key is being as absolutely reliable as is possible including cancelling well in advance if something breaks so the publicists can tell their guests the screening will be held elsewhere.
In mid 2014 the Cat.862 did not survive a *reboot. Luckily it happened on over a weekend and there was nothing needing the server until Thursday. This was back when Dolby would still RXO them. I fixed it on Tuesday. I think I lost two shows; one an inquiry for Wednesday and I decided not to chance it. And upon hearing I was down, Thursday moved to a theatre just to be safe, a decision I concurred with.
*The Cat.862, unresponsive even to a direct connection, had no LEDs lit so probably the on-board regulator(s) had failed. It was after a routine reboot after running a month or two.
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Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
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posted 02-16-2018 11:39 AM
You can simply update the Enigma board on its own, using the .pkg file within the NEC bundle, and the TI ICP and Enigma tool. However, I couldn't say whether Enigma version 1.8 will be problematic when used with much older components of the rest of the NEC package.
I have Dolby 4.9.0.96 in use in several sites, both with cat862 and cat745s, none of which have reported any software-related problems. You will need to buy a KDM in order to update a cat862-based system. Per this site's convention, I'm not going to quote the actual price, but it is not a significant amount. Any Dolby cinema products dealer can sell you one.
Agreed with Carsten. If you are absolutely mission critical, and the loss of a show would be economically catastrophic for you, then, IMHO, you have two options, from which you can choose either, both, or a combination. Option A is self-sufficiency: train yourself to maintain and repair your server and projector, and keep spares in stock of known weak point parts, or identify vendors that can get those parts to you within an acceptable timescale.
One route to option A could be to have a service tech come to you for a day and train you in stuff like bulb replacements, pulling and reseating boards, clearing tamper alarms, understanding what's in the logs: in short, planned maintenance and first line troubleshooting.
Option B is to sign a service contract with a local (or even not so local, if that makes sense) service vendor who guarantees a response time that would be acceptable to you. A service contract that includes a mix of remote monitoring and troubleshooting (we do it by installing an Internet-connected PC in the customer's booth, and use Teamviewer to communicate with LAN-connected equipment), combined with rapid response capability to the actual site if necessary, might be something you'd like to look at.
One other thing to throw out there is that if you, or a service tech you call in, need to go to equipment vendors for support, one of the first things they'll ask is what software or firmware version the equipment is running, and if it isn't the current version, they may tell you to update to the current version before being willing to troubleshoot with you any further. Some will do this even if the problem clearly has nothing to do with software.
So, while I am sympathetic to the "if it ain't broke, don't fix it" approach to software and firmware updating, please keep in mind that when old software does cause something to go wrong, you may have little or no warning.
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Carsten Kurz
Film God
Posts: 4340
From: Cologne, NRW, Germany
Registered: Aug 2009
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posted 02-16-2018 03:26 PM
SMPTE does not mean a simple formal distinction, it's still in transitional phase. Try to play the current ISDCF SMPTE test DCP, and the Dolby on 4.3x will fail on the subtitles. Disney was one of the first companies who tried SMPTE on wide releases, even for non-ATMOS DCPs.
Keep in mind, subtitles, or captions, are not only used to subtitle foreign language movies, they also show up often as declarative elements in 'ordinary' feature or to translate short foreign language passages. I'ts probably rarely a show killer if they don't show up, but in a screeningroom, it may still become obvious to the audience that something is missing.
- Carsten
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