Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Operations   » Feature Info, Trailer Attachments & REAL Credit Offsets   » Vertigo (1958) (1996 restoration) (Page 2)

 
This topic comprises 2 pages: 1  2 
 
Author Topic: Vertigo (1958) (1996 restoration)
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 10-01-2017 10:49 AM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
For everyone's info, back in January this year I was asked to inspect and evaluate a 70mm print that had just been repatriated by Universal from the UK (it had a British Board of Film Classification certificate and UIP logo spliced onto the front). It had been given print number USA1, and this was still on the shipping cases. It appeared to be from the 1997 (in the UK) release (5386 stock, edge code = + ■ ▲). There were multiple, deep emulsion side vertical scratches that come and go throughout, two sections of severe damage, likely resulting from platter brain wraps, and multiple light base scratches from misthreading, also present throughout the whole movie.

I projected reel 1, and the DTS dropped out twice: quite an achievement, given that you really have to work at damaging a 70mm DTS timecode enough to make it unreadable. There was no need to put 2 through 7 on a screen to see that they were unwatchable.

I advised in my report that, sadly, this print was totally unusable, but just in case that advice wasn't taken and this print ends up being sent to your theater, you have a choice between sending it back, and being prepared for customers demanding refunds - even customers who would be prepared to put up with a lot, as long as it's 70mm.

 |  IP: Logged

Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 10-01-2017 02:02 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
quote: Manny Knowles
Print containers are marked "Mono" but the soundtrack itself is labeled "SR" and the music certainly seems to be in stereo.
Probably because the 35mm prints were "DTS Stereo," which was DTS's knockoff of the Dolby stereo variable area system. It was used on some of the 1990s DTS releases to avoid having to pay any licensing fees to Dolby. It sounds acceptable in A-type, but the HF is shrill and nasty if you play it in SR, and the channel separation isn't good, either. It really is important to get hold of the DTS audio data and to be able to play it with these 1990s Universal titles.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 2 pages: 1  2 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.