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This topic comprises 3 pages: 1 2 3
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Topic: The Day After Tomorrow
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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 06-07-2004 01:48 PM
Today's CGI trumped by a muslin stocking 65 years ago?:
http://www.noplacelikeoz.com/Page4.htm
quote: The twister scene from "The Wizard of Oz" was perhaps one of the most stunning special effects creations of its day. Re-creating the Kansas cyclone that transports Dorothy to the land of Oz was no easy feat. The effect was achieved through the construction of a thirty-five-foot muslin stocking affixed to a gantry crane traveling the length of the stage. The tornado-shaped cone was rotated by a speed-controlled motor. The dust and thick clouds were created using Fuller's earth, and dangerous chemicals such as carbon and sulfur with of course, little or no proper ventilation. The ferocious sounding winds were produced through the use of compressed air and wind machines. Creating the realistic sound effects was no simple task, according to the following MGM press release: "Delicate mathematical calculations were conducted by the man Albert Einstein pronounces one of America's five greatest mathematicians, to work out a formula for the sound of a cyclone in terms of decimals and electrical requencies. The object was to reproduce the noise of such a story for The Wizard of Oz......As sending sound apparatus in search of unpredictable cyclones was impossible, O.O. Ceccarini, mathematician, was put to work. From scientific weather figures he obtained the pressure, velocity, air density and electrical characteristics of cyclones. From these facts he calculated volume and pitch of the sounds that would naturally accompany these phenomena. These calculations completed, he worked out practical methods of creating the sounds; 4,698,271 separate figures and algebraic symbols had gone into 200 pages of calculations before the task was completed." The result was a remarkably realistic tornado sequence. In fact, various takes of the Oz tornado sequence were used for the climactic scenes of Cabin in the Sky in 1943 and in High Barbaree in 1947.
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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 06-07-2004 07:08 PM
We saw this at the AMC Pleasure Island 24 in Downtown Disney last week, on their digital screen.
As for the effects, I liked them except for the hailstones. These filmmakers have obviously never seen real hailstones. The ones in the movie looked like broken-up blocks of crystal-clear ice. Real hail is white and the stones are round (duh). The damage that can be done by hail was shown realistically, however.
As for the story, I agree with most here, it was stupid.
One thing (not movie related) I noticed right away, is that they were not "promoting" the digital screen at the complex in any way. No standee or signage outside the auditorium, nothing in or on the building in any way that I could see. (It was noted in the newspaper ad, however.) The only tipoff at the theatre itself was the letter "D" after the title on their computerized marquee. (The other screens said DAY AFTER, and the digital one said DAY AFTER-D.)
I was disappointed in the picture quality. As others have said elsewhere, the blacks were too gray, in fact the whole picture seemed to have a gray cast to it. Not having seen it on film, I don't know if film would be any better, but we'll be playing this one after "Potter" so I'll get to check it out then.
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Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002
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posted 06-12-2004 06:48 PM
I can live with occasional mediocre CGI. If we all hold out for perfection, we'll never enjoy a movie. I know... crappy rationale, but it seems the way the system works right now.
I walked into the screening, anticipating a product on par with ID4... it was, after all, a major hyping point.
At the end, the two comments that first came to mind were... OK picture... HATE the preaching.
Cmon... really... if we were evacuating the lower half of the country, do you think some reporter would be squawking about "illegal (reverse) immigration".... well, maybe on Air America
GAAAAAHHHHHHHH!
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