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» Film-Tech Forum ARCHIVE   » Community   » Film Handlers' Movie Reviews   » SIN CITY (2005) (Page 2)

 
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Author Topic: SIN CITY (2005)
John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-04-2005 10:41 AM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
quote:
The only thing really wrong with it is that it is FLAT! (booo, hissss, you suck!!!)

The "native" aspect ratio of the Sony HD camera used is 16:9 (1.79:1). Cropping the top and bottom of the image for 2.39:1 would further compromise sharpness.

Remember, although the camera CCD sensors are 1920 x 1080 pixels, the needed anti-aliasing filtration reduces the resolution to less than half of that.

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Wolff King Morrow
Master Film Handler

Posts: 490
From: Denton, TX, USA
Registered: Feb 2004


 - posted 04-04-2005 02:11 PM      Profile for Wolff King Morrow   Author's Homepage   Email Wolff King Morrow   Send New Private Message       Edit/Delete Post 
I thought anti-aliasing used an interpolation of pixels to smooth the edges without sacrificing resolution? I know that on my image rendering work I do, I can enlarge the image and then resample it down to the original resolution to remove jaggies.

Anyway, this film looked noticably sharp. Combined with the film cleaner I hooked up with film guard saturation, it was probably the sharpest picture I've yet seen (and on my largest screen to boot).

I also give it 4 out of 5 stars.

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John Pytlak
Film God

Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000


 - posted 04-04-2005 02:28 PM      Profile for John Pytlak   Author's Homepage   Email John Pytlak   Send New Private Message       Edit/Delete Post 
Anti-aliasing filtration makes sure there is no image detail sharp enough to visibly interact with the pixel array to produce jaggies or moire. You have traded away image sharpness.

Don't mistake true sharpness (i.e., the ability to resolve fine detail) with edge-enhancement that gives the appearance of sharpness if you sit far enough away from the screen.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-04-2005 03:16 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
quote: John Pytlak
Cropping the top and bottom of the image for 2.39:1 would further compromise sharpness.
As does projecting anything in the 35mm flat format vs. the larger frame area of the 35mm scope format! [Razz]

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Aaron Garman
Phenomenal Film Handler

Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003


 - posted 04-04-2005 06:48 PM      Profile for Aaron Garman   Email Aaron Garman   Send New Private Message       Edit/Delete Post 
I figure if it is native 16:9, it'd look better that way instead of being cropped to 2.39:1. Now if we're talking anamorphic negative, then that is a different story. Even Super35 can look AWFUL in scope. That'd be nice if they develop a cinemascope lense of sorts for HD cameras that would work like real cinemascope, except without the film.

AJG

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 04-04-2005 07:13 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
Super 35 can also look fantastic. It's all in how it's done.

Let's take this into a new thread in FHF since we are way too off topic here. The next reply can start it and link back to this thread.

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Richard Greco
Phenomenal Film Handler

Posts: 1180
From: Plant City, FL
Registered: Nov 2003


 - posted 04-04-2005 08:43 PM      Profile for Richard Greco   Email Richard Greco   Send New Private Message       Edit/Delete Post 
Agreed....WOW

This was freakin awesome! Definately a DVD buy. I saw this at an indoor so I could hear the DTS and it sounded great too. Does anyone know what scene Tarantino directed?

4.5/5

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Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.

Posts: 1431
From: Waukee, IA
Registered: Dec 2004


 - posted 04-04-2005 08:54 PM      Profile for Sam Graham   Author's Homepage   Email Sam Graham   Send New Private Message       Edit/Delete Post 
***SPOILER...sort of...***

Mr. Ebert says Tarantino's scene is "the scene in the car with (Clive) Owen and (Benicio) Del Toro, who has a pistol stuck in his head".

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Richard Greco
Phenomenal Film Handler

Posts: 1180
From: Plant City, FL
Registered: Nov 2003


 - posted 04-04-2005 09:09 PM      Profile for Richard Greco   Email Richard Greco   Send New Private Message       Edit/Delete Post 
You know, I can see him behind the camera in that one. It was twisted enough to be him. Awesome Flick

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Dean Kollet
Jedi Master Film Handler

Posts: 591
From: Florida State University
Registered: Jul 2003


 - posted 04-07-2005 09:54 PM      Profile for Dean Kollet   Email Dean Kollet   Send New Private Message       Edit/Delete Post 
I loved this movie, but I wish the stories connected a little bit better....

4.5 out of 5

Carla Gugino is hot

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Richard Greco
Phenomenal Film Handler

Posts: 1180
From: Plant City, FL
Registered: Nov 2003


 - posted 04-09-2005 12:01 PM      Profile for Richard Greco   Email Richard Greco   Send New Private Message       Edit/Delete Post 
One thing I did notice is how bad Michael Madsen acted in his scenes. All his lines seemed forced. Still a kickass movie though.

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Kurt Zupin
Jedi Master Film Handler

Posts: 989
From: Maricopa, Arizona
Registered: Oct 2004


 - posted 04-10-2005 12:06 AM      Profile for Kurt Zupin   Email Kurt Zupin   Send New Private Message       Edit/Delete Post 
Madsen is natorious for crappy acting if he dosn't want to do the film...or if he dosn't believe in the character, he was in Sin City as a favor to some of his friends who were in the film as well as RR and QT

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Richard Greco
Phenomenal Film Handler

Posts: 1180
From: Plant City, FL
Registered: Nov 2003


 - posted 04-10-2005 02:45 AM      Profile for Richard Greco   Email Richard Greco   Send New Private Message       Edit/Delete Post 
Yeah, he seemed to really be Budd in KB. He also was great in Resivoir Dogs, but not here.

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Robb Johnston
Expert Film Handler

Posts: 147
From: St. Louis Suburbs
Registered: Nov 1999


 - posted 04-10-2005 12:29 PM      Profile for Robb Johnston   Author's Homepage   Email Robb Johnston   Send New Private Message       Edit/Delete Post 
I all the comics, there is not as much overlap to connect the stories more. perhaps some gaps will be filled in when and if the other stories are brought to film (via digital camera) For one, there is another story for clive owen's Dwight character that fills in the info about a whole new face. Did they have him referring to Ava when they cut to him in the Marv storyline (I reread the comics since seeing the film so I forget some of what was lef tin and cut out)That one is called "A Dame to Kill For."

To artificially add connections to stories so true to the source material would have weakened the piece for me.

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Emma Tomiak
Expert Film Handler

Posts: 238
From: Carrollton, TX, USA
Registered: Aug 2003


 - posted 04-10-2005 08:10 PM      Profile for Emma Tomiak   Author's Homepage   Email Emma Tomiak   Send New Private Message       Edit/Delete Post 
I agree Rob, I think that keeping the stories separated works best for someone who has read the graphic novels. I loved that the movie stayed so true to the books. That's very rare in any comic book based movie. For the viewer who hasn't read the books, though, perhaps a bit more connection between the stories might have made the whole film run more smoothly.

The only reference to "A Dame to Kill For" was Dwight talking about his new face. He didn't metion Ava at all (at least I think he didn't--I've watched it 3 times, but a fourth time just to check wouldn't hurt [Wink] ).

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