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This topic comprises 2 pages: 1 2
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Author
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Topic: Live Free or Die Hard (2007)
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 07-10-2007 12:27 PM
Location: Carmike 8 Auditorium: #6, 9:55pm show Format: Christie DLP/Doremi Server, 2048 X 852 pixels Rating: 2.75 stars out of 4
This latest release in the Die Hard franchise was fun, but derivative and forgettable. While entertaining it certainly doesn't measure up to the original.
The premise of the movie is interesting and I humored it just to give the movie a chance. In reality, the "fire sale" concept would be much more difficult or even plain impossible to execute. So many things that are computerized are not connected to the Internet. Many systems are very proprietary in nature, demanding industry specific or even custom software to manipulate. Many other things are just not computerized at all. Lots of surveillance cameras are still analog and recording to analog tape. Important systems in our nations infrastructure are vulnerable to black hat attacks. But there's no way to bring down everything.
Most of the action scenes were well done and entertaining. The acrobatic bad guys made certain sequences more interesting. But I did have the thought, "why is this guy committing crimes instead of earning gymnastics gold medals in the Olympics?"
Justin Long played the same character he does in all his movies. Still, he did a good job of brining humor into the slow scenes between each action set piece. Long had many of this movie's best lines, muttering quips just out of earshot like, "if you knew half of what I know your fuzzy little head would explode."
Kevin Smith's "Warlock" character (über-Star Wars geek/hacker slob) wasn't as funny as it should have been.
The PG-13 thing wasn't as much of an issue. The action scenes were still pretty violent. IMHO, regular over the air network TV often wanders into R-rated areas of violence and gore these days. This Die Hard sequel doesn't have slow motion shots of exploding knee caps or brains getting blasted onto door glass. But the fights, stunts and shoot outs all still have some brutal impact.
I agree with the comments of others that the scene with the VSTOL jet was very reminiscent of True Lies, but even more preposterous. It's a good thing the elevated expressway was strangely empty when that jet was demolishing parts of it.
The sound mix was pretty good. I really liked the surround use during some of the shoot outs.
I would have preferred Live Free or Die Hard to be shot in true anamorphic 'scope like the previous 3 installments in the series. Since this movie was shot in Super35 it just didn't have the same visual continuity.
The editing and shot choices could have been better. Parts of this reminded me of the incomprehensible shot/edit bullshit that took place in The Bourne Supremacy. Jeez, let us focus on something. Objects were blurring through the frame so much I could barely even tell John McClane was using a SigSauer P226R instead of his usual Beretta 92F.
The biggest nit I have to pick with this movie is geographical continuity. Obviously not enough movie goers care about this at all, otherwise Hollywood would not be pulling this shit.
Los Angeles and Long Beach do not look anything at all like the Washington, D.C. area. DC doesn't have mountain ranges in the outskirts that look like the San Gabriel Mountains. That whole scene in the "tunnel" is just another location in L.A. we have seen used in countless other movies (Black Rain, Lethal Weapon 2, The Terminator, Mystery Men and on and on).
One would think with all the CGI tools movie studios have on hand, they could do a better job of making a set look more like it comes from the location stated in the script. People can hit the pause button on a DVD player and see details like a California state highway "spade" showing up on a sign supposedly in Maryland.
One would think the studios would be more up to speed about the resources movie viewers have on hand, such as Google Earth and all its included content layers. Maybe those movie producers ought to be using that tool to more effectively scout locations and get a better handle on geographic continuity instead of trying to film everything involving an expressway on the I-105.
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