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Author Topic: U2 3D
Paul Linfesty
Phenomenal Film Handler

Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999


 - posted 02-26-2008 08:37 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
I'm actually glad I didn't make it to the IMAX showing. The presentation at the Edwards Bakersfield 14 was great, and the sound was as well (were these different mixes? Imax vs Digital 3-D? I thought IMAX used uncompressed digital as well). I've soured a bit on IMAX presentations as of late. Even the 15/70 originals seem to be less clear than before ( are they using digital intermediates these days for true Imax?)

Anyway, appropriate previews were shown (the Rolling Stones/Martin Scorcese project, for one). Interestingly, as I went to the first show of opening night, I too was aprehensive if they would show Hannah Montana by mistake, but they didn't).

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Phil Ranucci
Expert Film Handler

Posts: 236
From: Carpinteria,CA, United States
Registered: May 2006


 - posted 02-26-2008 11:25 PM      Profile for Phil Ranucci   Email Phil Ranucci   Send New Private Message       Edit/Delete Post 
[QUOTE] [fu] to the AMC Burbank 16 for playing several family-friendly trailers (in 2-D) and the first five minutes of "Hannah Montana..." before realizing they started the wrong movie! And then, once "U2 3D" began a few minutes later, the first couple of minutes were in 2-D and with houselights up. Oh, the joy of two movies sharing a screen.

That's one of my beefs with the Kodak Cineserver-movies are listed as 'Playlist 1' and 'Playlist 2'. They don't actually use titles.

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Brian Michael Weidemann
Expert cat molester

Posts: 944
From: Costa Mesa, CA United States
Registered: Feb 2004


 - posted 02-27-2008 03:29 PM      Profile for Brian Michael Weidemann   Author's Homepage   Email Brian Michael Weidemann   Send New Private Message       Edit/Delete Post 
quote: Paul Linfesty
I thought IMAX used uncompressed digital as well
True, the IMAX DTAC system uses an uncompressed WAV format to store the digital sound information (as far as I know). But that's not to be confused with dynamic compression in the original waveform, which is common enough in sound editing, way before the mastering process.

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Mike Schulz
Expert Film Handler

Posts: 122
From: Los Angeles, CA
Registered: May 2007


 - posted 02-29-2008 05:16 AM      Profile for Mike Schulz   Email Mike Schulz   Send New Private Message       Edit/Delete Post 
I saw this at The Bridge in imax here in Los Angeles. The audio was fan-freaking-tastic and you could tell they really worked hard mixing it to sound like you were at the venue. I wasn't impressed with the picture as much. The 3D looked really good, but the image was soft. The blowup from the HD source looked like, well, a blowup from an HD source [Smile]

This is also playing at the Arclight in Dolby 3D with a NEC 2k projector. I enjoyed it much more there. The picture was sharp and looked great and the audio was ever bit as good as the imax.

U2-3D = 8/10
Imax presentation = 7/10
Dolby 3D presentation = 10/10

I will let you know that I might be somewhat biased due to the fact I am not a fan of any of the imax dmr blowups, but this film was especially noticeable.

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