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This topic comprises 2 pages: 1 2
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Author
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Topic: Wanted (2008)
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John Lasher
Master Film Handler

Posts: 493
From: Newark, DE
Registered: Aug 2001
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posted 07-11-2008 11:49 PM
Cinemark Movies 10, Newport, DE, Auditorium 4, DTS
Not enough killing.
OK Presentation. Kept dropping to analog for some reason during trailers, but stayed in for the feature.
COME ON, Cinemark, a common-width screen in one of your 2 largest houses, in a complex that seems partial to common-height... tsk, tsk.
Base side scratch lasting for about 20 seconds at one point. [ 07-13-2008, 12:10 AM: Message edited by: John Lasher ]
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Stu Jamieson
Jedi Master Film Handler

Posts: 524
From: Buccan, Qld, Australia
Registered: Jan 2008
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posted 08-04-2008 07:10 AM
Wanted begins with a written prologue regarding a 1000 year old group of weavers who form an assassination organisation. Okay then, clearly we are not meant to be taking this story seriously! With this ground rule set, the film launches into an action offensive and, true to director Timur Bekmambetov's style, physical laws are sacrificed on the alter of outrageously fun entertainment. On this score, the film succeeds.
Tying an assassination group to a bunch of mediaeval weavers is a curious choice but it's clear where the story writer is going with it. The weavers' loom is an allegory for the weaving of the strands of time, an analogy of the way in which our lives are intricately woven together. This concept is not new. The idea was previously explored in the early 90's Loom, a LucasArts adventure game about a society of exiled weavers who discover that their revered loom is capable of influencing reality. In the context of the video game the idea works. The beauty and artisanship of the weavers' craft marries effortlessly with the magic and music which forms the core of the story; there's a natural synergy between these three artistic elements. Wanted's shotgun wedding between a group of fine craftsmen and a fraternity of brutal killers, on the other hand, is completely incongruous and therefore never believable.
But this is of minor consequence as the film never aspires to be anything more than an outrageous action flick. Any film which includes such impossible elements as bending bullet trajectories, feats of superhuman strength and agility, and coaxing the word "motherfucker" from the lips of Morgan Freeman is clearly just having a bit of fun and not begging to be taken seriously. Even when the hero breaks the fourth wall and issues a verbal life challenge directly to the audience at the films end, it comes across as more cheeky than intentionally thought provoking. Admittedly, though, the movie does blow its load in its first half, the action being less spectacular in the second.
Bekmambetov is a much better visualist than a storyteller and it's fair to say that Wanted plays to his strengths. As a result, this film demands a large box of popcorn for maximum enjoyment.
7.5 out of 10
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