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This topic comprises 5 pages: 1 2 3 4 5
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Topic: Wall • E (2008)
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Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.

Posts: 1431
From: Waukee, IA
Registered: Dec 2004
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posted 06-27-2008 10:54 PM
CINEMA: Cinemarkury 20 at Jordan Creek, West Des Moines, IA AUDITORIUM: 9 PRESENTATION: Mystery Meat DLP PRESENTATION PROBLEMS: DLP screen door effect, slightly fuzzy picture, and yes...apparently you CAN make a DLP projector shake from time to time. RATING: Two and one half stars (out of four)
Seriously...It's like when anybody in the booth walks by, the damn thing shakes.
THE PLOT: Robot lovin' for the sake of humanity. Wackiness ensues.
This is probably the most pedestrian movie Pixar has ever done. The storyline is pedestrian, the characters are largely pedestrian, and speaking of large...the mass of humanity makes the animation pedestrian, even taking away from the few moments of animation that impress.
It's seriously lacking in that Pixar cleverness.
I liked the short better, actually.
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Chris Hipp
Phenomenal Film Handler

Posts: 1462
From: Mesquite, Tx (east of Dallas)
Registered: Jul 2003
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posted 06-29-2008 04:39 PM
I think everyone loves Pixar so much because many people, especially on this board, make up their mind about a movie before they even see the trailer. Kind of like people who hated Rocky Balboa because they say Stallone is too old, but then they defend Harrison Ford for doing Indy 4, even though he is older and not in anywhere near as good of shape as Stallone. I could only wish to look like him at 60, I'd settle for looking like that now.
Anyway, I liked it. I thought they did a very good job of humanizing WallE, unlike that horrible atrocity of a "movie" Cars. He also seemed very cat like.
But of course I still hate how these hollywood types are trying to brainwash the children today. Yes yes, corporations are evil and corporationy, I know.
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Paul Mayer
Oh get out of it Melvin, before it pulls you under!

Posts: 3836
From: Albuquerque, NM
Registered: Feb 2000
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posted 06-29-2008 10:01 PM
Suncoast Cinemark 16 Screen #10, Sunday 4:05pm matinee $7.50 adult before-6pm price
Great technical mastery at the service of a half-baked story (where have we seen that before?). Guess the Hollywood weak-development-by-committee disease has spread north to Emeryville.
It was OK, but only that. Certainly not Pixar's best effort, other than the technical quality of the artwork itself, which was up to their usual high standard. The story arc and pacing slumped badly after the first couple of reels. Where was the editorial team? And the writing team? Plot holes, character motivation and development holes - this project definitely needed more time in the pre-production incubator.
What gets me is that with such long lead times as it takes to do an animation production these days, I'm amazed that no one recognizes and fixes such weak storytelling at the early layout and storyboarding stage. As it sits, this script should never have been green-lighted (green-lit?) to begin production. It's literally half-baked.
No one walked out, but there was a lot of looking at watches/cellphones/PDAs for time checks. Very quiet audience walkout. No buzz. The kids in the house weren't restless, though they were headed that way. This 1+37 film felt much longer than that. Not good. I expect better from Pixar and felt let down this time.
* * * * *
The second week of July I'm helping with a digital install in town, then it's off to Japan the week after to catch the opening of Miyazaki's latest animated film, Ponyo on the Cliff by the Sea. We'll see if the man that everyone at Pixar worships can match the magic he achieved back in 1988 with My Neighbor Totoro.
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