Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film Handlers' Movie Reviews   » My Bloody Valentine 3D (Page 2)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: My Bloody Valentine 3D
Matt Fields
Jedi Master Film Handler

Posts: 545
From: Ohio, United States
Registered: Jun 2005


 - posted 01-21-2009 09:11 AM      Profile for Matt Fields   Email Matt Fields   Send New Private Message       Edit/Delete Post 
I just put in a Dolby 3D system and MBV 3D was my first feature. First off, having 3D really increased attendance. I probably doubled my gross because of the 3D.

I have had zero problems getting the glasses returned and no complaints about having to return them. We are the first theatre around here with 3D so no precedent was set.

The Dolby system made a lot of sense for me. I work at the theatre personally, so I don't have to depend on employees to get the glasses back for the most part. Our lobby is rather small so it would be hard for people to sneak out. Just tell people when they buy their tickets and again before the movie starts that they need to return the glasses.

Secondly, I wasn't using an auditorium with a large screen. I have side movable masking with a scope picture of 27ft. Not sure what the flat is, but it is smaller then that. Because of the smaller screen, I could get plenty of light. I have a ZX running the 30-SD bulb, installed higher quality port glass, and put in a new Harkness 1.8 screen. The picture to my eyes, even with the glasses on, is plenty bright.

Having Real D looking over my shoulder and charging me licensing fees for the rest of my life made zero sense. Dolby was much cheaper to own and operate in the long run for me.

 |  IP: Logged

Joe Tommassello
Jedi Master Film Handler

Posts: 547
From: Coatesville, PA, USA
Registered: Jan 2008


 - posted 01-23-2009 11:33 AM      Profile for Joe Tommassello   Email Joe Tommassello       Edit/Delete Post 
Saw this last night at the AMC Leow's Cherry Hill 24. We (Mark Marshall and I) sat in the seats recommended by the majority here - center screen both in height and width. It was in Real 3D.

Claude was right. It was very gory for an "R" rating and the explicit content was amplified by the 3D effects. I would love to see an "unrated" version.

Joe Elliot was also right...it has the longest nude scene I can remember in a horror film. The actress, however, is very easy to watch. I didn't spot any mistake in that scene...in fact what I was watching looked perfect! Another reason I would be interested in an unrated cut.

The 3D effects were excellent. Even the most extreme cases where objects appeared to transcend the screen and over the heads of the audience had no separation of the image. Nothing to cause any eye strain. Lots of scenes in the mine had the odd anomaly of light flaring in the lens in only one eye at a time but it was not too distracting. There was plenty of light to illuminate the darker scenes. I don't know what they are using but it was the best digital presentation I had ever seen - including the IMAX Digital at the same theater.

The audio was excellent as well and even played at a respectable volume. I was told that the theater was a mess when AMC took it over so kudos to the crew (including old pal Dave Hart) who brought it all together.

Content-wise it was typical of most genre films these days. Maybe a little better with more mature performers and characterizations. They cheated you in the middle and it became obvious in the end but since it's not getting a nomination for "best screenplay" I can forgive it. Mark and I both recognized the familiar look of so many Pennsylvania mining towns and stayed through the credits to learn that it was indeed filmed in PA.

I would love to see some classics from 3D's "Golden Age" transformed for the new digital systems. Warner should get "House of Wax" ready to fill in an inevitable gap in the 3D schedule.

 |  IP: Logged

Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 01-23-2009 01:53 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
I have thought of that many times, Joe after Disney included a animated 3-D short from the fifties with the 3-D showing of MEET THE ROBINSON'S Although they are not modern films, I think HOUSE OF WAX, IT CAME FROM OUT OF SPACE, THE CREATURE FROM THE BLACK LAGOON and it's sequel THE CREATURE WALKS AMONG US as well as THE MAZE would do very well not to mention the other classics from the era, DIAL M FOR MURDER & KISS ME KATE. Although it was extremely campy, ROBOT MONSTER might also be a good one. Some of these early films such as HOUSE OF WAX, IT CAME FROM OUT OF SPACE and a few others also had stereo soundtracks and that would be a plus for modern audience if the tracks still exist.

-Claude

 |  IP: Logged

Joe Tommassello
Jedi Master Film Handler

Posts: 547
From: Coatesville, PA, USA
Registered: Jan 2008


 - posted 01-23-2009 03:20 PM      Profile for Joe Tommassello   Email Joe Tommassello       Edit/Delete Post 
Claude - I had the pleasure to attend the first 3D Film Expo in Hollywood back in 2003. All those films you mentioned were shown there. Except for House of Wax they had the multi-channel audio for all titles originally made with it. We watched "It Came From Outer Space" sitting three feet from Ray Bradbury!

I have no doubt a midnight double feature of "Robot Monster" and "Cat Women from the Moon" in 3D would be a new cult favorite. These films could be configured for the new format and distributed for a mere fraction of a percent of the cost of making a new movie. There is a whole generation of moviegoers that have grown up since "House of Wax" was last promoted in theaters. 1982, I believe, was the last time.

 |  IP: Logged

Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 01-23-2009 05:59 PM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
I think the stereo track for House of Wax is lost. Someone else can correct me if I'm wrong.

 |  IP: Logged

Julio Roberto
Jedi Master Film Handler

Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008


 - posted 01-26-2009 02:13 PM      Profile for Julio Roberto     Send New Private Message       Edit/Delete Post 
And after its second weekend, Bloody Valentine has proven that 3D business is not all that was meant to be.

It opened at number 3 in a weekend w/o a lot of competition. Actually, the public rated it the movie they liked the most of all the ones that opened that weekend, including #1 Mall Cop. It did about the same business as number 4 Notorious (also rated R like Valentine) in spite of opening in more and better theaters and having the 3-D premium ticket $$$ attached.

During it's entire first week it grossed $30.5m in 2,534 theaters ($11k per screen). Notorious did $27.6m in 1.638 ($16k per screen). Gran Torino, number 2 that week, almost tied doing over $10k per screen too in 2,972 screens (it was Torino's 6th week). Mall cop did $14k per screen.

So per-screen it basically either tied or did worse than the top 4 in spite of being the most liked movie, having other R rated films in the list, not having any direct strong horror competition and Gran Torino being there for 6 weeks.

This 3D film probably also have many forced contracts in many theaters for many weeks on their top auditoriums as per Real-D etc, further pushing the "false" attendance numbers.

Now Valentine slipped to number 6th for the weekend, and did even less than school for dogs or slumdog millionarie, which after 11 weeks and only 1,411 screens, did about twice as much per screen than Valentine. The average per screen in its second week for Valentine at 2,534 screens: $3,966.

And we all know that a lot of people went just for the 3D and found out they liked the movie a bit more than expected. When (if ever) "all movies" are in 3D (or many-a-month) and all competing theaters in an area get a 3D screen too, then the 3D novelty will wear out very quick and I think we'll see attendance being pretty much what they have always been.

Perhaps a tad more and even quite a bit more for certain genres, but not the "2, 3 times the gross of 2D" that is being touted. That may (or may not) be the truth today. But just wait until 3D is common place and soon we'll see the real figures.

And 3D costs more to exhibit in electricity, lamps, royalties, glasses, screen, maintenance and hardware, so it's only natural that they gross more if real profits are to remain the same.

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 01-26-2009 06:08 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
A horror film down 52% in it's second weekend...what's so strange about that?

3D or no 3D...a horror film is going to front-loaded.

 |  IP: Logged

Joe Tommassello
Jedi Master Film Handler

Posts: 547
From: Coatesville, PA, USA
Registered: Jan 2008


 - posted 01-29-2009 01:35 PM      Profile for Joe Tommassello   Email Joe Tommassello       Edit/Delete Post 
quote: Mark J. Marshall
I think the stereo track for House of Wax is lost.
The "surround" version is on the DVD. Sounds like a four-channel mix for mag prints ported over. Warner could easily incorporate it whether for 35mm or digital projection if they choose.

 |  IP: Logged

Paul Linfesty
Phenomenal Film Handler

Posts: 1383
From: Bakersfield, CA, USA
Registered: Nov 1999


 - posted 01-29-2009 03:44 PM      Profile for Paul Linfesty   Email Paul Linfesty   Send New Private Message       Edit/Delete Post 
quote: Joe Tommassello
The "surround" version is on the DVD. Sounds like a four-channel mix for mag prints ported over. Warner could easily incorporate it whether for 35mm or digital projection if they choose.

In the original Warnerphonic Sound release, the left eye included an optical mono mix (so that these prints could be used for standard theatres and non-stereo 3-D houses), the right eye had an optical surroubnd track, while a third full-coat magnetic 35mm reel contained three (L-C-R) stage channels for theatres so equipped (so in stereophonic sound theatres, L-C-R was magnetic, surround channel was optical!). The three original stage channels were lost. The optical surround track was saved. Don't know where the mic came from for the DVD, although I believe the optical surround track was utilized for the surround.

 |  IP: Logged

Mark J. Marshall
Film God

Posts: 3188
From: New Castle, DE, USA
Registered: Aug 2002


 - posted 01-29-2009 06:03 PM      Profile for Mark J. Marshall     Send New Private Message       Edit/Delete Post 
Interesting. Anyone know what's on the new left and right eye prints?

 |  IP: Logged

Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 01-31-2009 11:35 AM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
OMG, what a stink bomb! I saw 1hr. of this show last night in Yonkers (I was working on a server problem, and needed to make sure it was playing okay - not that I would've normally watched this movie). I couldn't help but roar with laughter when the kid's eye popped out. I'm sorry, I thought he was playing a trick on the girl with a Halloween gag eye or something... since his head and body did not MOVE like someone had just delivered BLUNT FORCE TRAUMA! It was funny. The eye just shot out. Kid being goofy says, "Hey, look at this!" (Sproiiiingg!) And then back in. (Swwwwwwip!) Total absence of kinetics. Pause for laugh. Ha-ha!! I want that trick.

Oh, he was getting killed? Sorry. (blush) [Embarrassed]

Needless to say, a great party gag was turned to hokieness by intent, loses the movie's credibility, and it was right at the beginning. Not good. (I'm not being difficult; any premise can be made believeable, but the movie has to cooperate.)

So, it went from there. [Roll Eyes]

I did enjoy the naked chick, though. She was pretty hot. I couldn't determine if it was a "long scene" though, as I have no reference with these kinds of movies, but it could've been on much longer and been fine with me.

Did the mistake have to do with the angle of the home video camera? The guy was shooting the front of the bed, but the police copy showed the front door and window.

I doubt I'll ever see this movie all the way through, it is my least-favorite genre. The use of loud audio cues to "scare" the audience is a cheap, tawdry device on the level of a deus ex machina ending, and no match for a suspenseful STORY (read: Hitchcock). I'll watch experimental films and music videos before I intentionally watch one of these turds. [puke]

[edit] Ooops.. I made a mistake myself, in spelling! [Wink]

[ 02-02-2009, 10:08 PM: Message edited by: Tim Reed ]

 |  IP: Logged

Julio Roberto
Jedi Master Film Handler

Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008


 - posted 01-31-2009 01:57 PM      Profile for Julio Roberto     Send New Private Message       Edit/Delete Post 
Not that I disagree with your review (at all ... I also digged the naked chik), but out of the 10 top current films at the BO last two weeks (Valentine was #6 up til Thursday), only 3 (Oscar material Torino, Slumdog and Benjamin at #9) score higher points in critics from the public.

That gives you an idea of how little competition this movie actually has.

Only one opening in Valentine's 2nd week, Underworld, did any direct competition. And it sort of bombed, opening only #2 and hanging in there w/o much acclaim by public or critic (i.e. Rottentomatoes scores Valentine a 5,9 and Underworld only a 3,2).

Underworld was cliché as hell, but it was a much higher production value than Valentine which was just as cliché + deus ex machina. Plus 3D gimmicki as hell and copycat of other movies.

That was up til this weekend, of course. New openings have pushed Valentine to #9.

 |  IP: Logged

Claude S. Ayakawa
Film God

Posts: 2738
From: Waipahu, Hawaii, USA
Registered: Aug 2002


 - posted 01-31-2009 03:47 PM      Profile for Claude S. Ayakawa   Author's Homepage   Email Claude S. Ayakawa   Send New Private Message       Edit/Delete Post 
What is very sad about this movie is the way how the young people around me were enjoying it. I only saw the movie because it was a live action 3-D film playing in a Dolby 3-D digital theatre and I was only interested in seeing how good Dolby's 3-D was compared to Real D. I was tempted to leave after forty minutes but decided to stick around. Yes, the only redeeming factor about the movie was the five minute nude scene and I agree, the young lady was hot! It is also interesting to see the way the film is listed in various newspaper movie guides. The two major newspaper in Honolulu has it listed as MY BLODDY VALENTINE in non 3-D theatres but some local smaller newspapers advertises it as MY BLODDY VALENTINE 3-D in every theatre , 3-D or not.

-Claude

 |  IP: Logged

Joe Elliott
Master Film Handler

Posts: 497
From: Port Orange, Fl USA
Registered: Oct 2006


 - posted 02-01-2009 08:05 AM      Profile for Joe Elliott   Email Joe Elliott   Send New Private Message       Edit/Delete Post 
The mistake is in her "hair cut", it changes in the scene, and after you see her dead body, once the police are there.

 |  IP: Logged

Tony L. Hernandez
Expert Film Handler

Posts: 158
From: Windsor, CO, USA
Registered: Dec 2005


 - posted 02-18-2009 02:33 AM      Profile for Tony L. Hernandez   Email Tony L. Hernandez   Send New Private Message       Edit/Delete Post 
Saw it tonight at The Carmike 5 in Greeley,CO. It's got your typical slasher flick storyline HOWEVER due to the cast, 3D Image and add an excellent sound system to that (which is what they had at the Carmike), it was quite a terrifying picture. This was also my first digital 3D movie. I've been around movies my whole life however when that pick axe came swinging right at my face in the first 5 minutes of the film, I almost jumped. The plot and characters are interesting in their own right and there is a bit of a weird, creepy twist at the end that you may not expect. I'd say go see it and enjoy the special effects and interesting landscape it is filmed in as well an enjoying a new twist on a very old storyline.
As far as my experience, aside from the ticket clerk and the manager/"projectionist" lady, I was the only one in the whole building so it made it extra creepy!

A

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.