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This topic comprises 5 pages: 1 2 3 4 5
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Author
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Topic: Disney/Pixar "UP"
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Aaron Garman
Phenomenal Film Handler

Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003
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posted 06-06-2009 06:22 PM
Cinemark Movies 14, Mishawaka, IN Auditorium: #1, RealD Digital 3D Presentation: seems to be fixed!
The last time I spoke of auditorium 1, there were some presentation issues. The sound system was having some trouble with humming, distortions, and missing channels. Today's screening had none of that, and sounded wonderful. A very nice and balanced mix.
As for the film, wonderful. Pixar scores again. Films love to draw us in to the experience with big picture and amazing sound. I think Pixar has found another dimension that some really fail to capture: emotion. I was totally sucked into these characters, especially Carl. Although I'm only 27, I can still identify his longing of the past and the way things used to be. I think a lot of the time we can get caught up in the same kind of traps. It's only when we realize this, that there is more than what was, that we can move along.
It's a brilliant film. I agree that the 3D does not really do much to help the film, which I think in and of itself is a gimmick. I blame Disney though, not Pixar. I have a feeling the Mouse was pushing for Pixar to start using 3D, even though their films do not need such a gimmick. Sure, the 3D effects were very nice, but it did not outweigh the disadvantages of current implementations: lower light and those bloody glasses. I'd like to see this in 2D, whether digitally or on film (done right).
I'd rate this as one of Pixar's better pieces, especially the flashbacks at the beginning. The ending drags a little bit, and at times gets a little zany. However, I think that was the point, and it makes sense in the world of this film.
I'm highly curious to see Toy Story 3 as well, after a funny little teaser.
AJG
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Julio Roberto
Jedi Master Film Handler
Posts: 938
From: Madrid, Madrid, Spain
Registered: Oct 2008
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posted 06-14-2009 03:40 PM
quote: Claude S. Ayakawa Why many prefer 2-D over 3-D is something I cannot understand when the presentation is flawless.
That's part of the "problem". We all see (and hear) things differently. Some people can't understand how you can not like Michael Jackson's music (or hard rock, or classic music, for that matter). How can you dispise something so "obviously" wonderful????
Some people, I like to call them "3D nuts" , are so tantalized by the film presentations in 3D they simply can't understand why doesn't everybody flock to 3D films. They just don't realize that, whatever it is that makes the 3D so visually appealing to them, is not shared by 90% of the population.
quote: Claude S. Ayakawa Don't we see every thing in life in 3-D with both of our two eyes?
Part of the explanation is that not everybody indeed sees in (the same) "3D", as about 10% of the population has visual system defects (amblyopia, estrabismus) which hinders their depth perception to something completely different to the average experience.
Then, people with (geometrically) smaller heads (and usually the rest of the body as well), like children or perhaps some women, have their eyes closer together in space, giving them a reduced sense of "3D" during their everyday lives than someone with a large watermelon over his shoulders and eyes 3" apart.
What the other 80% of the population sees, must be something in-between what the 3D-nuts and the 3D-impaired see. For them, the 3D is cool and all, but not something to die for, spectacular, and worth it of the extra $3 if, on top of that, it also means a dark picture and "stupid" glasses.
Once the novelty wears off, and all it takes is a couple of films to get to that point, a large part of the general public doesn't give squat if a film is in 3D or not. And I wouldn't be surprised if the tendency to favor 3D presentations over 2D starts to reverse a few years down the road, as long as the 3D one remains more expensive.
Problem comes when the "people in charge" is a 3D nut. Like say James Cameron or Dreamwork's Katzenberg. Cameron spent $$$$$ in Ghost of the Abyss and (I guess) thought it was wonderful in 3D. Well, it sucked for a lot of people who couldn't fuse the images they way he photographed them (and I don't blame them with those huge interaxials). My daughter, who has seen plenty of 3D in her life, us having many 3D systems at home and many films in that format, couldn't stand keeping the glasses on during the (traditional IMAX) presentation she saw of Ghost....
You can also tell when a theatre owner is a 3D nuts because he'll have 12 3D systems in all his 12 screens ....collecting dust.
3D is not for everybody and is not for every movie. But it does have a place and it's a lot of fun for a lot of people who like to have piranahs thrown at their faces
And it can make $$$$. Specially for RealD and Christie ...
I mean, look at the current box office. You have a low budget stupid comedy nothing-out-of-the-ordinary, "The hangover" in 2D surpassing the grosses of a state of the art, wonderful, oscar worthit Pixar masterpiece in 3D.
Obviously the producers of "The hangover" didn't think 3D (which in this day and age is very easy and cheap to make) was worthit of their time. If they believed the hype that "3D films make 2, 3, 4, 5, 6, 7 times more than 2D films", then no-doubt no-brainer most-all movies would get made in 3D, as producers are not stupid and they all like to gross 2, 3, 4 ... times more.
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