Film-Tech Cinema Systems
Film-Tech Forum ARCHIVE


  
my profile | my password | search | faq & rules | forum home
  next oldest topic   next newest topic
» Film-Tech Forum ARCHIVE   » Community   » Film Handlers' Movie Reviews   » Shutter Island (Page 2)

 
This topic comprises 3 pages: 1  2  3 
 
Author Topic: Shutter Island
John Koutsoumis
Master Film Handler

Posts: 261
From: Melbourne, Victoria, Australia
Registered: Aug 2003


 - posted 03-03-2010 12:13 AM      Profile for John Koutsoumis   Email John Koutsoumis   Send New Private Message       Edit/Delete Post 
In the print that I am screening the surreal sequences look amazing with good blacks, depth and colour. But yes the rest of the film has softer look to it but not on all shots.

 |  IP: Logged

Joe Elliott
Master Film Handler

Posts: 497
From: Port Orange, Fl USA
Registered: Oct 2006


 - posted 03-03-2010 09:10 AM      Profile for Joe Elliott   Email Joe Elliott   Send New Private Message       Edit/Delete Post 
Well, then it may be my second hypothesis, some of the labs are doing a piss poor job of printing them. I will have to write down which lab ours came from, when I go in tonight.

 |  IP: Logged

Matt Gress
Film Handler

Posts: 15
From: Boston, MA USA
Registered: Jul 2009


 - posted 03-03-2010 08:43 PM      Profile for Matt Gress   Email Matt Gress   Send New Private Message       Edit/Delete Post 
Our print has the same hair in the printer gate Jim Cassidy saw plus some bad color problems at the beginning of reel 2. Plus it wasn't new - some goofball had removed the trailer at the beginning and spliced it on backwards. Yup.

 |  IP: Logged

Joe Elliott
Master Film Handler

Posts: 497
From: Port Orange, Fl USA
Registered: Oct 2006


 - posted 03-05-2010 08:59 PM      Profile for Joe Elliott   Email Joe Elliott   Send New Private Message       Edit/Delete Post 
Are you sure that wasn't done at the lab? Ours was spliced on out of frame, and it was a new print.

And yes, I forgot to grab the info on what lab our print came from.

 |  IP: Logged

Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 03-05-2010 11:08 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
quote: Joe Elliott
Are you sure that wasn't done at the lab? Ours was spliced on out of frame, and it was a new print.
If it was spliced with regular splicing tape rather than with an ultrasonic, then it probably wasn't done at the lab and instead was at the film depot (and the depots are notorious for getting people who almost always splice trailers poorly).

 |  IP: Logged

Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-07-2010 05:34 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Saw this again all the way through again today... in digital at Gatwway #3... image was too dark... thank you digital! The film presentation I saw previously in Ketchum, ID was far superior.

I enjoyed it even better the second time and took note more of the music used... I find it utterly amazing that some did not get the ending...

Mark

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 03-07-2010 07:38 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
quote:
Saw this again all the way through again today... in digital at Gatwway #3... image was too dark... thank you digital!
OK, what have you done with Mark?

 |  IP: Logged

Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-07-2010 09:25 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
Nooooope... I'm not responsible for that theater... or it's measley snack bar.

Mark

 |  IP: Logged

John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 03-07-2010 09:32 PM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
There is no 'it' in my previous post.

I was referring to your sudden reversal from 'Digital is the second coming' to 'Digital sucks'. What happened?

 |  IP: Logged

Mark Gulbrandsen
Resident Trollmaster

Posts: 16657
From: Music City
Registered: Jun 99


 - posted 03-07-2010 09:43 PM      Profile for Mark Gulbrandsen   Email Mark Gulbrandsen   Send New Private Message       Edit/Delete Post 
No, In this case the film presentation I saw... at a theater I happen to maintain... looked and sounded far superior to it's digital counterpart at a mainstream theater.

I still like digital and service a number of digital booths but I am a lot less pro digital these days just because of the forth comming new generation of projectors. Christie in particuluar has been very very slow at dealing with some very serious software bugs in the past. I am advising everyone to go sit on the fence post for at least another year and let some one else ring out the problems that always seem to exist. My customers are way too far apart to deal with that sort of nonsense. Lets face it... the longer we can all sit this out the more likely the studios might be prodded into direct VPFs or at least some other deal in which the indies don't get shafted quite as bad as they will be from the current CBG deal.

Mark

 |  IP: Logged

Jim Cassedy
Phenomenal Film Handler

Posts: 1661
From: San Francisco, CA
Registered: Dec 2006


 - posted 03-07-2010 09:48 PM      Profile for Jim Cassedy   Email Jim Cassedy   Send New Private Message       Edit/Delete Post 
quote: Matt Gress
Our print has the same hair in the printer gate Jim Cassidy saw
Actually, we sort of "solved" that problem by swapping that
print with one that was playing at another theater also
run by my boss. The 2nd theater has a slightly undersize
aperature plate, which was just enough to hide-the-hair.

But even at that location, you can still see the cyan
sound track bleed on Reel 3. I'll have to look & see
what lab it came from.

 |  IP: Logged

Chad Souder
Jedi Master Film Handler

Posts: 962
From: Waterloo, IA, USA
Registered: Feb 2000


 - posted 03-12-2010 08:51 PM      Profile for Chad Souder   Email Chad Souder   Send New Private Message       Edit/Delete Post 
This movie was far below what I've come to expect from Scorsese. It was predictable and
Spoiler Alert - Click to Toggle

I was pretty disappointed, but I did pick up on one interesting thing. Leo was originally considered for the role of Hans Landa in Tarantino's Inglourious Basterds but was passed over when Tarantino decided he wanted a german speaking actor to play the role. In Shutter Island, Leo speaks seemingly fluent german in a scene. Coincidence?

 |  IP: Logged

Richard P. May
Expert Film Handler

Posts: 243
From: Los Angeles, CA
Registered: Jan 2006


 - posted 03-13-2010 10:26 AM      Profile for Richard P. May   Email Richard P. May   Send New Private Message       Edit/Delete Post 
I saw the picture a couple of days ago at the AMC Century City in Los Angeles.
The presentation was just fine. Good picture and proper sound levels. Film presentation. I didn't notice any of the problems noted by previous posters, but was enough engrossed by the picture that I wasn't looking for anything unless it really jumped out.
Announced starting time was 3:30pm. After seven trailers the feature finally got on at 3:30.

DM

 |  IP: Logged

Chris Slycord
Film God

Posts: 2986
From: 청주시, 경북도, South Korea
Registered: Mar 2007


 - posted 03-13-2010 02:30 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
quote: Richard P. May
Announced starting time was 3:30pm. After seven trailers the feature finally got on at 3:30.
7 trailers in 0 minutes? Amazing! [Razz]

 |  IP: Logged

Sam Graham
AKA: "The Evil Sam Graham". Wackiness ensues.

Posts: 1431
From: Waukee, IA
Registered: Dec 2004


 - posted 03-13-2010 10:14 PM      Profile for Sam Graham   Author's Homepage   Email Sam Graham   Send New Private Message       Edit/Delete Post 
CINEMA: Mall of America 14, Bloomington, MN
AUDITORIUM: 1
PRESENTATION: 35mm/Mystery Meat Crapophonic 3-Channel Non-Surround
PRESENTATION PROBLEMS: There are drive-ins with better sound
RATING: 2 1/2 stars (out of four)

This 20-year old GCC build of Mall-3-like auditoriums is now apparently being run by the mall management after AMC walked away. The last time I was here (Mortal Kombat), the seats were small and leg room was cramped. That got upgraded, as did the snack bar (they have booze). Presentation...could use some help.

THE PLOT: A disappearance is investigated. Wackiness ensues.

I might have liked this better if I hadn't seen this so many times in the past eleven years. It was pretty easy to figure this out early on. I did actually like the ending...the very ending...though.

But I expect more from Scorsese.

 |  IP: Logged



All times are Central (GMT -6:00)
This topic comprises 3 pages: 1  2  3 
 
   Close Topic    Move Topic    Delete Topic    next oldest topic   next newest topic
 - Printer-friendly view of this topic
Hop To:



Powered by Infopop Corporation
UBB.classicTM 6.3.1.2

The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion and agrees to release the authors from any and all liability.

© 1999-2020 Film-Tech Cinema Systems, LLC. All rights reserved.