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This topic comprises 3 pages: 1 2 3
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Author
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Topic: BLACK SWAN (2010)
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Gerard S. Cohen
Jedi Master Film Handler

Posts: 975
From: Forest Hills, NY, USA
Registered: Sep 2001
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posted 03-22-2011 10:06 PM
There is in "Black Swan" one major theme that has been given much thought in the arts recently. In her essay "Outsmart, Outwork, Outrival and Outdream" in the New York Times Magazine of March 20th ("You could look it up") Carina Chocano treats the topic of self-perfection as discussed vy Pelagius, St. Augustine, Amy Chua's "Battle of the Tiger Mother, and the films "Limitless" and "The Adjustment Bureau". In "Limitless" the character Bradley Cooper takes pills that change him from a disorganized shlep to a perfect self-directed go-getter who becomes insanely rich and perfectly successful in every way. Whereas in "The Adjustment Bureau" the characters are controlled by (if not fate or God) "something like luck, birth order, genetics, macroeconomics, the law of big government or your damnable big boss." In "Black Swan" the dancer strives for perfection, which enables the choreographer to victimize her. Her dying words are noe "Rosebud" but "I was perfect!" This theme of the striving for perfection seems like something thrown into the mix to justify the making of the fil. But maybe that's better than the fuckbucket-full of forensic fetishes the filmmakers ended up with.
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This topic comprises 3 pages: 1 2 3
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