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This topic comprises 2 pages: 1 2
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Topic: Mad Max: Fury Road
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Bobby Henderson
"Ask me about Trajan."

Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 02-29-2016 08:39 PM
quote: Ken Lackner While I don't know that I quite agree with Mr. Ebert (because, you know, I can appreciate the idea that others enjoy things I'm simply not into), I completely agree with Justin. I just do not, and likely never will, see what all the hype is about.
Actually Brad is paraphrasing Roger Ebert's very negative review of North (1994), one of the earliest Sony movie releases featuring SDDS. I do remember the very prominent SDDS ads for it, and being very annoyed by it from being a vocal and perhaps unreasonable DTS fan at the time. Ebert passed away in 2013, over 2 years before Mad Max: Fury Road was released.
Mad Max: Fury Road is very good on its technical merits -hence the 6 Oscar wins. Suspension of disbelief? Painting of a "reality" plausible enough to support dramatic tension? Um, not so much. I think George Miller bitch-slapped Michael Bay, shoving him aside saying, "let me show you how style over substance is really supposed to be executed." The visual style is over the top enough to make it seem operatic. Unfortunately the viewer may come away from the experience thinking, "wow, I saw a lot, but I didn't feel much from it."
But that's really in essence the kind of movie Hollywood studios like to make these days: a roller coaster ride one can forget within minutes of riding it. No real need to watch it again. Unfortunately Hollywood expects us to buy copies of the movie on Blu-ray, DVD or "HD-Digital" virtual crap. Perhaps we're all developing ADHD on some level, but any movie that's worth buying, and thus worth watching in repeat viewings has to be pretty damned good.
To be fair, I did like the customized vehicles and car chase stunts in the movie. But those things alone are not enough to support a great movie. Fury Road simply got too stylized, too ridiculous and too over the top for its own good. It didn't maintain any grip on a kind of reality to keep it grounded the way The Road Warrior did. The 1982 classic is still a far better movie on many levels. It's better as a straight action movie. It's better as an apocalyptic political allegory.
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