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» Film-Tech Forum ARCHIVE   » Community   » Film Handlers' Movie Reviews   » Hateful 8 (2015) 70mm Version (Page 3)

 
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Author Topic: Hateful 8 (2015) 70mm Version
Leo Enticknap
Film God

Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000


 - posted 02-06-2016 09:13 PM      Profile for Leo Enticknap   Author's Homepage   Email Leo Enticknap   Send New Private Message       Edit/Delete Post 
Tarantino has a Tourette's thing going on with the n-word, doesn't he? I stopped counting after 30 utterances of it in one reel alone.

Given that Peter Jackson's squeamishness on that front has caused him pretty much to give up trying to remake The Dam Busters, maybe Tarantino could take that project over? The only problem is that he'd have to change the story such that Guy Gibson's infamous black Labrador did not have his accident just before the raid flight begins, because then there would be at least three or four reels in which Tarantino would have no excuse for any n-words in the script.

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Jim Cassedy
Phenomenal Film Handler

Posts: 1661
From: San Francisco, CA
Registered: Dec 2006


 - posted 02-07-2016 06:59 PM      Profile for Jim Cassedy   Email Jim Cassedy   Send New Private Message       Edit/Delete Post 
quote:
(Scott Norward on 12/30/15) : AMC Boston Common is handing out little
pieces of 70mm film (real film, but obviously made just for this promotion)
as souvenirs; they are about 6" long and contain several different frames
(probably production stills, actually) from the movie

Possibly one of these? .
 -
I just got several from a private source.

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Buck Wilson
Jedi Master Film Handler

Posts: 894
From: St. Joseph MO, USA
Registered: Sep 2010


 - posted 02-07-2016 08:49 PM      Profile for Buck Wilson   Email Buck Wilson   Send New Private Message       Edit/Delete Post 
WHAAAAAAAAAAAT!? I want one!

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 02-08-2016 12:52 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
Jim--that is it. I never got one, but most or all of the customers did.

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Ari Leedsw
Film Handler

Posts: 53
From: Stoughton, MA
Registered: Feb 2016


 - posted 02-22-2016 11:46 AM      Profile for Ari Leedsw   Email Ari Leedsw   Send New Private Message       Edit/Delete Post 
@Mitchell Dvoskin: Re: Paramus NJ, no that wasn't from a bad buildup. Some bad failsafes when the projector shut down and the film did not stop on a dime.

Source: One of that print's projectionists.

LOL, I've seen the film that was in the incident you describe. It was kept as a souvenir.

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Rob J. Buskop
Expert Film Handler

Posts: 111
From: Rotterdam, the Netherlands
Registered: Aug 2005


 - posted 03-17-2016 11:40 AM      Profile for Rob J. Buskop   Email Rob J. Buskop   Send New Private Message       Edit/Delete Post 
Very interesting to hear a few commentators rave about the picture quality. I suspect they've fallen for "The emperor's new cloths.." I've seen the premier in Amsterdam, in the EYE film museum where every detail in the technical set-up had been meticulously attended to. Proper masking, new Schneider optics etc. etc. For an old and rather experienced viewer as myself, the picture quality was nowhere near what it used to be like in the 1960-ties. It looked good, but... not really like what it could have been. Really far from it! These prints were made via intermediates and dupe negs, and so you were watching the 4th generation of the original elements. When 70mm was really 70mm, the prints were struck from the edited camera neg!
Oddly enough they showed a digital trailer of "Hail Caesar" ahead of the roadshow. It was 100x sharper with greater detail and depth than the feature. Even the titles that spelled out "Overture" were somewhat soft.
I liked the whole set-up but as an example what 70mil used to look like it completely failed for obvious reasons.

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 03-17-2016 11:52 AM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I would suspect the anamorphic was not precisely adjusted. If the astigmatism is off by just a tiny bit, the entire sharpness of the image is killed, even though it may not look like it is out of alignment.

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Jim Cassedy
Phenomenal Film Handler

Posts: 1661
From: San Francisco, CA
Registered: Dec 2006


 - posted 03-17-2016 12:24 PM      Profile for Jim Cassedy   Email Jim Cassedy   Send New Private Message       Edit/Delete Post 
Rob- I agree with what Brad said in his post.

Im fact, I found the overture card to be a great focusing aid.

If I could get the little stagecoach silhouette at the bottom
of the screen in focus, I knew the rest of the image would be
sharp. In fact, I found the first several minutes of the film,
with it's bright snow-scene images to be a great indicator of
'quality control'. Any hair/dirt in the aperture or on the film,
or any scratches that might have somehow occurred were
immediately apparent, as would any lamphouse issues too.

I would watch those first few minutes intently every show,
looking for signs of 'trouble' .

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John Wilson
Film God

Posts: 5438
From: Sydney, Australia.
Registered: Dec 1999


 - posted 04-15-2016 01:22 AM      Profile for John Wilson   Email John Wilson   Send New Private Message       Edit/Delete Post 
Our screenings...

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