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» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Seating Capacity and Print Allocation/Movement (Page 2)

 
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Author Topic: Seating Capacity and Print Allocation/Movement
Chris Hipp
Phenomenal Film Handler

Posts: 1462
From: Mesquite, Tx (east of Dallas)
Registered: Jul 2003


 - posted 02-14-2004 02:02 PM      Profile for Chris Hipp   Email Chris Hipp   Send New Private Message       Edit/Delete Post 
Print moves at my work can be very hectic. We have some houses that are 93 and 94 seats and they will move a print to get one extra seat if they think they can sell it.

I dont think it would be a good idea to have every house the exact same size. I think you should have classes, such as large medium and small houses and each in the class is the same size.

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Jeremy Fuentes
Mmmm, Dr. Pepper!

Posts: 1168
From: Corpus Christi, TX United States
Registered: Jan 2004


 - posted 02-14-2004 05:41 PM      Profile for Jeremy Fuentes   Email Jeremy Fuentes   Send New Private Message       Edit/Delete Post 
We have a 5 screen-
Theater 1-240
2-190
3-105
4-111
5-122
Hey, Todd, I know Andy Landa. He is one of the ones that I go to if I have a question, if I happened to be there at Tinseltown. Him and John Cuevas. Do you know John. How about Stefanie Nessman? I used to work with all of them.

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Chad Lindsey
Film Handler

Posts: 38
From: Ada, OK, USA
Registered: Feb 2004


 - posted 02-15-2004 07:35 PM      Profile for Chad Lindsey   Email Chad Lindsey   Send New Private Message       Edit/Delete Post 
Get this! Our theatre was bult on the cheap:

Movies 8 Paris, TX:
#1 = 172
#2-5 = 136
#6-8 = 142

now if you only knew the other ways they saved money on the building!

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William T. Parr
Jedi Master Film Handler

Posts: 823
From: Cedar Park, TX
Registered: Nov 2000


 - posted 02-15-2004 09:28 PM      Profile for William T. Parr   Email William T. Parr   Send New Private Message       Edit/Delete Post 
Jeremy,

Andy Landa is the only one I knew from Dollar Cinema. As far as I know he was the only person that was taken for the existing theatre to open Tinseltown up. The only other person I knew that worked that was a now ex friend of mine that worked at UA the Movies with me. I put in a good word with Andy to get her hired there then she turned around and stabbed me pretty much in the back after getting the job. Last I had heard she was not working there any more.

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Chris Mosel
Film Handler

Posts: 74
From: New Braunfels, TX, USA
Registered: Sep 2002


 - posted 02-16-2004 03:34 PM      Profile for Chris Mosel   Email Chris Mosel   Send New Private Message       Edit/Delete Post 
Print moving is not always based on seat count, If it is a kid show I will move it closer to the satelite concession stand, if it attracts a senior crowd I try to keep it close to the entrance/exit area to make the trip a little shorter. I try to have some logical reason for print placement besides just seat count.
Sometimes I just like to piss off the projectionist though. [Smile] [Smile] [Smile]

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Jeremy Fuentes
Mmmm, Dr. Pepper!

Posts: 1168
From: Corpus Christi, TX United States
Registered: Jan 2004


 - posted 02-17-2004 02:14 PM      Profile for Jeremy Fuentes   Email Jeremy Fuentes   Send New Private Message       Edit/Delete Post 
Todd, sorry to hear about that x-friend of yours. Dont suppose you want to give her name, do you.

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Blake Zaugg
Film Handler

Posts: 57
From: Lafayette, LA
Registered: Sep 2002


 - posted 02-17-2004 11:29 PM      Profile for Blake Zaugg   Email Blake Zaugg   Send New Private Message       Edit/Delete Post 
Sometimes, a print move is needed so we can split it with something else. Sometimes we will also move a 18A/R show closer to the usher station to keep an eye that kids don't get in there.

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