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This topic comprises 2 pages: 1 2
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Author
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Topic: trailer changes
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Kyle McEachern
Expert Film Handler

Posts: 165
From: San Francisco, CA
Registered: Feb 2004
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posted 05-17-2004 04:02 PM
At the last Century I worked at, we put the trailers on chronologically. We normally ran 4 or 5 trailer on each, plus Fandango and policy trailers. The exception to the chronological rule was the attached trailer - it stayed last. This is a helpful system because if the movie coming out soonest is first, then when it comes out, pulling it is just a matter of removing the leader, taking out the trailer, and putting the leader back on.
Generally, any time a trailer got pulled, another one would replace it, keeping the # of trailers fairly consistent throughout the film's run. As it got older, one or two trailers might stay off, leaving it at 2-3.
At the Century I worked at before that, we would pull the trailers but not bother replacing them with the ones the home office told us to, so if a movie ran for long enough, it'd be down to 1 or 2 trailers, and sometimes the only trailer it played came out on a Friday when we lost the movie on that same Thursday. Not sure what we would have done if it had stayed another week...
I wonder what percentage of those "Oh, it's okay, we've probably only missed 5 minutes" people are the same who come out 5 minutes later asking for the film to be rewound.
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Randy Stankey
Film God

Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 05-19-2004 04:41 PM
When I was in college, I was a D.J. at the college radio station. Back then we actually played RECORDS! We used TURNTABLES and we had to know how to use a FADER! Not this automated network feed crap they do now!
We had to know how to program our music. If you were on in the evening, for instance you'd play a couple of snappy tunes that weren't too fast, then a couple of tunes that were faster until you build up to a peak with a couple songs that really rocked. You'd "bring it down" with a mellow tune and then go to a commercial. (Actually, we played P.S.A.s)
I liked to do the same thing when building up trailer packs: Let's say the feature is an Action Flick. Play a trailer for a suspense movie to start. (Moody, suspensful opening.) Follow with a drama then, maybe, a comedy. Toss in the obligatory "Chick Flick" to get the cross over audience. (Guys who drag their girlfriends to the movies.) Finish with another action movie before the policy snipe then into the feature.
You have to think about who's going to be in the audience: Don't play scarry trailers on kid's movies. Maybe you WOULD want to play a kid's movie trailer on a movie for adults because they might have kids who would want to see that movie. Put a "chick flick" on with an action movie or vice versa to catch the boyfriends/girlfriends who get dragged in.
Nowadays, there's no such thing. You have to play the trailers that are on the list that comes from the home office and you have to play them in the order they tell you. Often times, they are so Non Sequitur it's not even funny!
It's the same thing for those stinking automated radio stations where the D.J. only makes a couple of anouncements at the top and bottom of every hour! It's boring. It doesn't flow. Cripes! I could do a better job with my MP3 player set on "shuffle"!
There's no showmanship anymore!
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Ky Boyd
Hey I'm #23

Posts: 314
From: Santa Rosa, CA, USA
Registered: Jun 99
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posted 05-21-2004 10:09 PM
I usually specify the order I want the trailers put on for flat films, usually 4 but occasionally I'll agree with Ian and only put on 3. For scope movies we put the scope trailers that are masked to flat on first and then the scope trailers. It makes me crazy to go to a theatre and see a full scope trailer, then one masked to flat, then a full scope, then back to masked to flat. If the feature is in scope and there is anything not in full scope on the program it should be presented first and once a full scope image is presented the image shouldn't get smaller (ie. masked to flat trailers).
Being an arthouse, occasionally there are films where we only get one or two trailers for five screens...grrrrr! So, I move those trailers around so they get exposure on different films each week.
Scott, with regard to the multi-screen arthouse you work at, it wouldn't be a Landmark would it? At a visit to a Landmark location earlier this year, I saw the I'm Not Scared trailer and then another trailer followed by the commercial for the I'm Not Scared contest which included the exact same scenes as in the trailer. If it had been my call, I'd have pulled the trailer figuring that the contest promo also served to promote the movie.
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