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» Film-Tech Forum ARCHIVE   » Operations   » Ground Level   » Refund Policy For Lost Sound? (Page 2)

 
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Author Topic: Refund Policy For Lost Sound?
Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-16-2004 04:04 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
I have been using regular "brick" UPS backups, by ADC or whatever company that is. They are around $50-60 and are not the cheapest model, but aren't the high end either. There is one in each sound rack and a large one one per 2-3 platters. When you think about it, the sound / automation isn't really sucking any amount of power, and after a few seconds once the platter slows to a stop it won't be using any power to speak of either.

By the way, those of you with cat702 penthouse readers be aware that your leds will never turn off if you are using a CP500 or CP650. You will have to install a seperate switch to use that reader and not burn the leds all night long. Does anyone know if the BACP equivalent derives it's power from the processor? It seemed like a bonus at first, but in reality it's a negative.

Anyone have recommendations on 4 step dimmers with seperate control and load power circuits? [Cool]

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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 07-16-2004 04:43 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
The BACP reader is definitely powered by the processor. There is no separate power cord like on the cat. 700.

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 07-17-2004 03:23 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
So Brad, am I to understand by your comment about burning the LED's all night long, that you never turn the sound processor off?

I worked in a booth that had 701's and 500's. I installed APC's for the processors, but they would go off every night. (I know the 701 doesn't get its power from the processor, I was just pointing out the fact that I turned the APC's off at night.)

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Joe Redifer
You need a beating today

Posts: 12859
From: Denver, Colorado
Registered: May 99


 - posted 07-17-2004 04:18 AM      Profile for Joe Redifer   Author's Homepage   Email Joe Redifer   Send New Private Message       Edit/Delete Post 
APC is generally regarded as the best brand of UPS (other than UPS themselves, but FedEx is better anyway. har har) in the mission critical computer world. You should be aware that not every outlet on a UPS offers battery backup, so know what you are plugging into it and where.

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Jack Ondracek
Film God

Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002


 - posted 07-17-2004 04:59 AM      Profile for Jack Ondracek   Author's Homepage   Email Jack Ondracek   Send New Private Message       Edit/Delete Post 
John's rational perspective is exactly how we deal with this situation. In any case where we can't present a show with uniform quality, I will: A): make a pass available if the problem is only a few seconds in length... and then only if the customer asks for it... B): Offer passes en-masse if the interruption is significant or C): offer full refunds if the interruption is substantial and we're not at least half-way through the show.. or so. I will not offer any pass or refund for problems with trailers or credits. In any case, we allow people to leave with a full refund if the show hasn't started, so trailers don't really qualify.

Now, by saying "uniform quality", I mean the best I can offer at the moment. For example, I don't agree with offering refunds if my digital is down and the audience has to suffer through a show in SR. There are chain houses here with mono sound, and my SR kicks much bootie. Half of you guys wouldn't notice (and I won't say which half! [Big Grin] )

Anyhow... we do have a compensation policy in place... but it is not a free-for-all. Remember the kids that would come in and watch the trailers, then leave and get a full refund? Talk about disrupting your seat counts!

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Gordon McLeod
Film God

Posts: 9532
From: Toronto Ontario Canada
Registered: Jun 99


 - posted 07-17-2004 08:14 AM      Profile for Gordon McLeod   Email Gordon McLeod   Send New Private Message       Edit/Delete Post 
I usually install a UPS for the processor, monitor, crossover, digital device and afterburner (basically any device before the power amps to prevent unwanted thumps
Also in several locations I added a relay that once the power drops it stays off till reset to prevent repeated on off cycles if the power becomes unsteady

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Richard Fowler
Film God

Posts: 2392
From: Ft. Lauderdale, FL, USA
Registered: Jun 2001


 - posted 07-17-2004 09:53 AM      Profile for Richard Fowler   Email Richard Fowler   Send New Private Message       Edit/Delete Post 
UPS for Processor/monitor and automation has been the norm for export clients. One client who is building e-cinema systems has his presentation rack and projector on a rack based UPS set-up.

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Cory Isemann
Jedi Master Film Handler

Posts: 500
From: White Plains, MD, USA
Registered: Jun 2004


 - posted 07-18-2004 07:03 PM      Profile for Cory Isemann   Author's Homepage   Email Cory Isemann   Send New Private Message       Edit/Delete Post 
Tell you one thing, ensure all the fail-safes are in good working order, since the last time our power blinked, not only did most go into non-sync, I found the last two reels of "White Chicks" on the floor in front of the projector because the fail-safe stuck. Bummer!

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Martin Brooks
Jedi Master Film Handler

Posts: 900
From: Forest Hills, NY, USA
Registered: May 2002


 - posted 07-18-2004 07:27 PM      Profile for Martin Brooks   Author's Homepage   Email Martin Brooks   Send New Private Message       Edit/Delete Post 
quote: Jack Ondracek
For example, I don't agree with offering refunds if my digital is down and the audience has to suffer through a show in SR.
If you advertised it as being in Digital and it wasn't presented that way, I would either expect a warning before the show or a refund.

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John Hawkinson
Film God

Posts: 2273
From: Cambridge, MA, USA
Registered: Feb 2002


 - posted 07-18-2004 09:18 PM      Profile for John Hawkinson   Email John Hawkinson   Send New Private Message       Edit/Delete Post 
The one concern I have with UPSes in cinemas is that UPS batteries are consumables. They tend to stop working well after 4-8 years. Just something to be aware of.

I could also see the UPS being annoying if you want the ability to turn off the equipment in your rack. What's the solution to that? I suppose some UPSes offer control mechanisms to address that (any with wet/dry contacts rather than RS232 or Ethernet? I suppose you could rewire the front-panel switch in any case).

--jhawk

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Brad Miller
Administrator

Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99


 - posted 07-18-2004 09:35 PM      Profile for Brad Miller   Author's Homepage   Email Brad Miller       Edit/Delete Post 
UPS is plugged into a 24 hour circuit. Equipment is plugged into a quad box, which is in turn plugged into the UPS with a switch inline to provide the ability to power off items on the UPS. No big deal.

Also, with the quality level of some projection equipment being manufactured these days, the UPS boxes will outlast the projectors! So technically, everything is a consumable.

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Ken Lackner
Phenomenal Film Handler

Posts: 1907
From: Atlanta, GA, USA
Registered: Sep 2001


 - posted 07-19-2004 01:10 AM      Profile for Ken Lackner   Email Ken Lackner   Send New Private Message       Edit/Delete Post 
Um...I'm not really sure what Brad is trying to say about how his equipment is wired. But at the theater I worked at where the processors were on UPS's, the processor gets plugged into the UPS, the UPS get plugged into an outlet. At night, the UPS gets shut off.

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